Suggests a human lesson from a fish fact made familiar by a popular children’s film.
Even someone socially awkward can find a friend.
A habit of stinging keeps lonely Anemone from making friends, but for a clownfish, Anemone is just the right companion. Illustrated by the narrative and summarized on the last page of this tale of anthropomorphized sea creatures are three facts about ocean life: Tides rise and fall; hermit crabs use other creatures’ shells for protection, upgrading as they grow; and clownfish and sea anemones have a symbiotic relationship. (The last fact will be familiar to anyone who’s seen Disney’s Finding Nemo.) Anemone’s social difficulties become evident when three small fish wash into its pool during high tide. They know to stay away from its offers of friendship, but the tide goes out, the pool shrinks, and they can’t help but touch Anemone and be stung. “Why do I always sting everyone?” Anemone wonders. But it turns out that stinging can be helpful. When Clownfish is chased into Anemone’s sheltering tentacles by a threatening octopus, it’s the octopus that gets the sting. McGregor’s illustrations have the appearance of having been done with oil pastels. Anemone is a bright pink. The small fish are striped with shades of turquoise and Day-Glo green. The octopus looms large and gray. Attentive readers will be intrigued by the side story of a hermit crab looking for a new home that is enacted along the sandy edges of the main narrative.
Suggests a human lesson from a fish fact made familiar by a popular children’s film. (Picture book. 3-7)Pub Date: June 1, 2021
ISBN: 978-1-950354-51-1
Page Count: 32
Publisher: Scribble
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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