While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.
When the title character dies suddenly of an aneurysm, her husband, four children and best friend must deal with their grief and find a path forward.
Annie Fonzheimer grew up in small-town Greengrass, Pennsylvania, and never left. She married “too fast and too young” when she got pregnant by local boy Bill Brown, a plumber by trade. Annie works long hours as an aide at a nursing home and tends to her four children, ages 6 to 13, in a small house that belongs to her mother-in-law, the prickly Dora. But Annie, high-spirited and much adored, is content with her “lovely reliable” life, even if it’s not exactly what she’d expected. She’s a vibrant presence in this novel, despite getting bumped off in the first sentence. Quindlen weaves Annie’s backstory with an account of her survivors, who suffer mightily in her absence. Without her mother, eldest child Ali watches over her younger siblings and navigates a friendship with a girl who harbors a disturbing secret. Best pal Annemarie, whom Annie helped save from drug addition, must decide if she can persevere without her friend’s steadying hand. And Bill, who wasn’t sure about marrying Annie at first—and then found he couldn’t imagine life without her—must sort out his feelings for a woman he was involved with before his wife. Quindlen, whose own mother died when she was 19, is good at this sort of domestic drama, elevating material that might seem over-familiar, even maudlin in other hands; the well-drawn characters and sharp observations keep the reader engaged. “Maybe grief was like homesickness,” Bill muses at one point, “something that wasn’t just about a specific person, but about losing that feeling that you were where you belonged….” Actually, not a lot happens until the novel’s final section, in which, arguably, too much happens.
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.Pub Date: March 12, 2024
ISBN: 9780593229804
Page Count: 304
Publisher: Random House
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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