Should appeal to grimdark fans looking for the extreme edge; others may well find it nasty, brutish, and not short enough.
Fantasy debut and first of a series from an author whose Twitter handle is @queenofgrimdark; it first appeared earlier this year in the U.K.
For those unacquainted, “grimdark” is a subgenre sometimes characterized as anti-Tolkien or nihilistic, though more generally referring to grunge fantasy featuring unremitting gory violence, characters with few or no redeeming virtues, and an atmosphere of gloom and doom. As the once-mighty Sekemleth Empire crumbles, Lord Orhan Emmereth decides a change of governance is necessary and organizes a conspiracy to murder the emperor and all his chief advisers. He hires a company of mercenaries—who more resemble Shakespearean rude mechanicals than professional killers—to infiltrate the impregnable city of Sorlost and do the deed. Led by the thoughtful Tobias and featuring a mysteriously well-educated, nervous young drug addict named Marith—who manages to kill a dragon along the way—the company reaches the city. Expect betrayal inside deception wrapped in double-dealing, a gory slaughterfest, and the revelation of Marith’s true identity. Taking advantage of the ensuing chaos, Thalia, the powerful high priestess of the official religion, which features child sacrifice, whose fate is to be killed by her successor, escapes the temple only to fall in with Tobias, Marith, and company, where she becomes utterly entranced by Marith’s physical beauty. Those impressed by frequent, graphic, almost Monty Python–ish bloody violence and characters with no claim to righteousness will find much to admire here. Others will marvel at a yarn of 450-plus pages whose plot contains so little of real substance and whose main character is a homicidal psychopath with no intriguing or sympathetic qualities whatsoever.
Should appeal to grimdark fans looking for the extreme edge; others may well find it nasty, brutish, and not short enough.Pub Date: Aug. 15, 2017
ISBN: 978-0-316-51142-1
Page Count: 480
Publisher: Orbit/Little, Brown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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