A light romance that’s heavy on self-care and acceptance.
A romance writer’s successful screenplay shows her what she really wants out of relationships—and life.
When her husband left her, all Nora Hamilton felt was relief. A newly single mom with two kids and a mortgage, she poured her feelings into a screenplay, and, instead of selling it to The Romance Channel as she usually does, Hollywood comes calling—and they're going to shoot the movie right in Nora’s house. Between school runs and errands, Nora tries not to watch actors Naomi Sanchez and Leo Vance, the hottest leading man in Hollywood, reenacting the end of her marriage in her backyard. When production wraps, Nora is ready to have her life back only to wake up and find Leo still on her porch. He doesn’t seem eager to go back to his own life, so he offers to pay her $1,000 a day if he can stay for a week; despite her hesitation, Nora could use the money, so she accepts. Now she’s trying to live her daily life with a movie star following along at her heels, her kids excited but confused, and the other moms at school incredibly jealous. And she’s starting to like it. Monaghan takes a fairly basic rom-com plot (average person spends time with famous person and they fall in love) and flips it on its head by making the focus not the love story but the inner growth of the heroine, Nora. While Leo is, of course, very important, Nora’s discovery of her own needs and desires, especially in contrast to the person she had made herself into when married to her ex, is the driving force of the narrative. Because the romance isn’t the focus of the novel, there is a noticeable lack of scenes showing Nora and Leo actually falling in love—a few more could have made the second half of the novel stronger, but it’s a happy trade for more Nora.
A light romance that’s heavy on self-care and acceptance.Pub Date: June 7, 2022
ISBN: 978-0-593-42003-4
Page Count: 272
Publisher: Putnam
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
A fairy tale stuffed with a meaningful moral, this is a funny and heartwarming novel.
A good Italian American daughter’s 30-something rebellion forces her entire family to reckon with their choices, resulting in a happily-ever-after for all that’s like the best affogato: rich, bitter, sweet.
Giuseppina “Jess” Capodimonte Baratta lives in her parents’ basement, and it’s not the finished kind, but more like an old-fashioned cellar with a bed and a dresser. Her family has long struggled with money problems, so many that Jess had to go to community college instead of the four-year institutions her sister and brother attended. At 33, she’s landed back at her childhood home in Lake Como, New Jersey (known for its location between a lake and the Atlantic Ocean), because she’s left her husband, Bobby Bilancia, heir to Bilancia Meats and blue-eyed local heartthrob. Jess may not know what she wants for her life, but it isn’t nightly TV and then several kids with Bobby, whose idea of sophistication runs to capicola-ham rosettes. Then Uncle Louie, the proprietor of Capodimonte Marble and Stone who has mentored Jess as his deputy, dies of a heart attack and leaves the business in her hands. Unfortunately, there’s also some funny business that includes a side hustle with an associate known as “Googs” and a quarry’s worth of unpaid taxes. Jess chooses to ignore her overbearing mother’s advice and fly to Carrara, the home of the world’s most beautiful stones—and stonemasons, like Angelo Strazza, whose specialty is applying fragile gold leaf to carved pieces. From brushing up on her Italian to investigating Uncle Louie’s somewhat mysterious past, Jess soon discovers she needs less of her family’s assistance than she or they ever believed. Trigiani risks gilding the lily here, but by placing Jess’ love affair with Angelo alongside her love affair with her own future, she maintains a balance that will leave readers as satisfied as an Italian Sunday dinner would.
A fairy tale stuffed with a meaningful moral, this is a funny and heartwarming novel.Pub Date: July 8, 2025
ISBN: 9780593183359
Page Count: 416
Publisher: Dutton
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Imperfect, yes, but intense, original, and smart.
A philosophical discourse inside an addiction narrative, all wrapped up in a quest novel.
Poet Akbar's debut in fiction features Cyrus Shams, a child of the Midwest and of the Middle East. When Cyrus was an infant, his mother, Roya, a passenger on a domestic flight in Iran, was killed by a mistakenly fired U.S. missile. His father, Ali, who after Roya died moved with Cyrus to small-town Indiana and worked at a poultry factory farm, has also died. Cyrus disappeared for a time into alcoholism and drugs. Now on the cusp of 30, newly sober but still feeling stuck in his college town, Cyrus becomes obsessed with making his life matter, and he conceives of a grand poetic project, The Book of Martyrs (at the completion of which, it seems, he may commit suicide). By chance, he discovers online a terminally ill Iranian American artist, Orkideh, who has decided to live out her final days in the Brooklyn Museum, having candid tête-à-têtes with the visitors who line up to see her, and Cyrus—accompanied by Zee, his friend and lover, who's understandably a bit alarmed by all this—embarks on a quest to visit and consult with and learn from her. The novel is talky, ambitious, allusive, deeply meditative, and especially good in its exploration of Cyrus as not being between ethnic or national identities but inescapably, radically both Persian and American. It succeeds so well on its own terms that the novel's occasional flaws—big coincidences, forays into other narrators that sometimes fall flat, dream-narratives, occasional small grandiosities—don't mar the experience in any significant way.
Imperfect, yes, but intense, original, and smart.Pub Date: Jan. 23, 2024
ISBN: 9780593537619
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Nov. 1, 2023
SEEN & HEARD
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SEEN & HEARD
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