An intelligent, sympathetic portrait of a complicated, even tortured writer who calls for fresh readers.
A fine reappraisal of the work of the Victorian novelist and dear friend to Henry James.
In this comprehensive, fleshed-out biography, author Rioux (English/Univ. of New Orleans; Writing for Immortality: Women and the Emergence of High Literary Culture in America, 2004, etc.) works back from Woolson’s suicide in 1894 to consider the enormous obstacles a woman writer in her era had to overcome in the sexist American literary culture. Woolson’s work was largely overshadowed by her contemporary and frequent companion James, and Rioux does not speculate idly about their relationship outside of their mutual devotion to their work, loneliness, and James’ essential “underlying disdain for women writers.” Indeed, Woolson grasped that disdain and even—painful as it is to modern readers—subsumed the sexist strictures of the time, declaring to James, “a woman, after all, can never be a complete artist.” Yet the two novelists were serializing their work in periodicals at the same time and similarly employed intelligent, thwarted, unrealized female characters in their fiction. A product of a large Cleveland family of mostly daughters—many of whom died tragically in their youth—Woolson saw firsthand the wasted fates of mothers and wives. She narrowly “escaped” (her word) a similar fate in marriage in her late 20s before choosing the writing life over teaching (the two professions available to single women), partly due to her middle name—James Fenimore Cooper was her great uncle. Woolson was determined to make a living by her pen, and she was able to support her mother and sister, moving constantly and eventually settling in Venice—although she was plagued by depression and ill health for much of her life. Rioux delineates the toll her writing ambition took on her and how, curiously, she hid her lethal literary drive from her friend James.
An intelligent, sympathetic portrait of a complicated, even tortured writer who calls for fresh readers.Pub Date: Feb. 29, 2016
ISBN: 978-0-393-24509-7
Page Count: 432
Publisher: Norton
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
BOOK REVIEW
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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