by Anne Boyd Rioux ‧ RELEASE DATE: Aug. 21, 2018
An enlightening, well-documented argument for why this novel is essential—will inspire readers to become acquainted or...
A history of Little Women coinciding with the 150th anniversary of its original publication.
When it was published in 1868, Louisa May Alcott’s novel became an immediate bestseller. Encouraged by her publishers to write a “novel for girls,” Alcott set her coming-of-age-story of four sisters during the Civil War and loosely based their struggles and aspirations on her own experiences with her three sisters. For countless generations of young readers, it has remained a beloved favorite as well as an influential touchstone to scores of aspiring writers. Yet this quietly groundbreaking novel has had more than its share of lukewarm responses from literary scholars, and it appears less frequently on high school reading lists compared to classics by noted male authors. Rioux (English/Univ. of New Orleans; Constance Fenimore Woolson: Portrait of a Lady Novelist, 2006, etc.) writes, “in spite of Little Women’s elevation to canonical status, scholars still do not sufficiently acknowledge how key Little Women has been to the development of women’s literary traditions in the United States and abroad. It has been a foundational text not only in the history of women’s literature but also in individual writers’ very conception of themselves as writers and artists.” The author devotes the first few chapters to Alcott’s family history and early writing career, touching on the similarities—as well as the striking differences—between Alcott’s family and the characters in Little Women. Alcott endured considerably more challenging hardships than those depicted in the novel, which continued to fascinate in its many forms. Rioux provides an overview of the various film, stage, and TV incarnations, from the 1933 classic with Katharine Hepburn as Jo to the 1994 version by Australian director Gillian Armstrong (Rioux’s favorite). From the 1970s onward, the novel continued to draw closer ties to the evolving women’s movement, and its themes of ambition and empowerment have influenced such contemporary TV series as The Gilmore Girls and HBO’s Girls.
An enlightening, well-documented argument for why this novel is essential—will inspire readers to become acquainted or reacquainted with this influential classic.Pub Date: Aug. 21, 2018
ISBN: 978-0-393-25473-0
Page Count: 352
Publisher: Norton
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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