by Anne Hollander ‧ RELEASE DATE: Sept. 9, 1994
Art historian Hollander tries to set the record straight about the ``tyranny'' of fashion and to clear its bad name, making a reasonably strong case but offering a surprisingly lifeless account in the process. Hollander (Moving Pictures, 1989, etc.) spends most of the book establishing modern masculine sartorial superiority, setting up the contrast between the men's suit, with its brilliant design- -serious, sexy, timeless—and what, until this century, was mere ephemeral female fashion frippery. From the 1600s until the early 1900s, women's dress became increasingly theatrical and decorative, and received more attention from society (i.e., men), while men's dress set the classical standard. Obscuring female form and motion with tiny waists and voluminous skirts, women's clothing earned fashion the reputation of being manipulative and deceptive. Hollander asserts, to the contrary, that fashion is an ``imaginative art.'' Only in the early 20th century, however, did women's fashion become realistic and dignified. The introduction of short skirts after WW I gave coherence to the female form (and made exposing legs, and thus the wearing of pants, possible). It is just recently, Hollander argues, that female dress has begun to set any significant standards for Western fashion: ``Women finally took over the total male scheme of dress, modified it to suit themselves, and have handed it back to men charged with immense new possiblities.'' Sex and Suits has several major weaknesses, however. Most frustrating, given the book's historical scope (from the Greeks to the Gap), is the profusion of generalizations (``In general, people have always worn what they wanted to wear; fashion exists to keep fulfilling that desire'') and occasional preposterous pronouncements resulting from her attempt to divorce shifts in fashion from social forces. Also, her take on the relationship between gender and contemporary fashion is dated. Still, despite its un-hip feel, a coherent defense of fashion's integrity. (45 b&w photos, not seen)
Pub Date: Sept. 9, 1994
ISBN: 0-679-43096-2
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Holly Austin Smith ‧ RELEASE DATE: March 18, 2014
A powerful voice on behalf of young people who should not be stigmatized but need support from schools and communities to...
An unvarnished account of one woman's painful “journey from victim to survivor,” as she came to understand the “dynamics of commercial sexual exploitation, especially child sex trafficking.”
In this debut, Smith, a public advocate for trafficking victims, begins in 1992 with her own experience. At the age of 14, she was briefly a prostitute before being rescued by the police. Since she was manipulated rather than subjected to violence, she was shamed by the false belief that she had chosen to be a prostitute. Only in 2009, three years after her marriage, did she feel able to reveal her story and give testimony before Congress. She blames the media for objectifying sexuality and creating an environment in which an estimated 100,000 in the U.S. are victimized annually. Smith describes how one afternoon, she was walking through the mall when a young man approached her. They flirted briefly, and he slipped her his phone number, asking her to get in touch. She describes her vulnerability to his approach. She was socially insecure. Both of her parents were alcoholics, and before the age of 10, she had been repeatedly abused sexually by a cousin. In her eagerness to have a boyfriend, she responded to his come-on and agreed to a meeting. As it turned out, he was profiling her for a pimp, and it was the pimp who met her—accompanied by a prostitute, there to show her the ropes. Their approach was nonthreatening, and they suggested that, in the future, she might have a career in modeling. Many unhappy children, writes the author, “are lured into trusting their traffickers” due to their lack of self-esteem. In the aftermath of the experience, although she finished college and had a successful career, Smith struggled with depression and substance abuse.
A powerful voice on behalf of young people who should not be stigmatized but need support from schools and communities to protect them from predators.Pub Date: March 18, 2014
ISBN: 978-1-137-27873-9
Page Count: 256
Publisher: Palgrave Macmillan
Review Posted Online: Jan. 19, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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