Just the bucket of blood for die-hard Rice fans.
Of crunching bones, collapsing veins, and nicely coordinated outfits: Rice’s Vampire Chronicles gets a fresh transfusion.
Alas, poor Rhoshamandes: He was about the only character to breathe any new life, so to speak, into Rice’s pallid vamp saga thanks to some stately if gory moments in Prince Lestat and the Realms of Atlantis(2016). And now—well, like the series, old Rosh has seen better days. Meanwhile, the longtime ringmaster of the sharp-toothed show, Lestat, is consolidating his power while taking an increasingly evident interest in aesthetics that, in lesser hands, would likely translate into a barrage of product placement. As it is, a few brand names slip through: Wouldn’t you just know it that a vampire wouldn’t be seen dead with an Android? It’s not just that, as Lestat observes, “Almost all vampires are beautiful,” but that the good stuff gets called out, from “English Chippendale chairs” to “rubies, emeralds, diamonds, sapphires everywhere that one looked, or ropes of pearls and barrettes and pins of gold and silver.” And why so much attention to the things of the world? Perhaps because, as it seems, Lestat doesn’t have much to occupy himself with apart from a literal rock-star moment and all that politicking with Rhoshamandes, who, it has to be said, had more than a shot or two at making things good with Lestat and company. The story takes some time to gather momentum, a shame for a book that’s so short, especially as compared to others in the series. Still, while most of the proceedings seem a familiar footnote to the larger series as it’s unfolded over the decades, there are some nicely icky passages that would give Stephen King pause: “I threw the headless body onto the coverlet, tossed the smashed and empty head on top of the body, then gathered up even the heart and what I’d vomited of the brain and the eyes, and flung them all together…."
Just the bucket of blood for die-hard Rice fans.Pub Date: Oct. 4, 2018
ISBN: 978-1-5247-3264-6
Page Count: 288
Publisher: Knopf
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.
Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.
The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.Pub Date: Sept. 13, 2011
ISBN: 978-0-385-53463-5
Page Count: 384
Publisher: Doubleday
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
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