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NALAH GOES TO MAD MOUSE CITY

A wonderfully illustrated, not-too-serious story that may make children eager to visit a mouse town and try taffy hairstyles.

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A mischievous young girl visits a mouse city and invites all its residents to a picnic in this boldly illustrated tale by Sawyer-Aitch (Nalah and the Pink Tiger, 2013).

Nalah is in a foul mood on the day of a family picnic. All her imaginary friends, who were introduced in her previous picture book, have gone on adventures without her. Bored and left to her own devices, she makes just enough mischief to get sent to her room. Luckily, Mad Tooth Mouse, who eats socks from Nalah’s sock drawer, shows up to listen to her complaints. With a little bit of magic, Mad Tooth shrinks Nalah down so that she can visit Mad Mouse City, and there, she discovers that she’s a hero. After an impromptu celebration and dance party, she invites the mice back to her family’s picnic. Now normal-sized, Nalah convinces all her siblings and cousins—a wonderfully multihued group—to make taffy for their mice guests. Soon, more mischief ensues when the children and mice must eat their way out of a taffy explosion. Although the story isn’t terribly linear—there’s no real explanation, for example, of why making taffy is suddenly the thing to do—it’s so much fun that it doesn’t really matter. Children will giggle at Nalah’s antics, and they’ll be engrossed by the brightly colored, chaotic images. Sawyer-Aitch uses a technique she calls “illuminated illustration,” based on her own shadow-puppet work, which results in abstract, textured background images with details that will have young readers poring over the pages again and again. The text is placed among the illustrations, and although the format may make the words difficult for newly independent readers to pick out, the work is worth it, if only to read about the “jewel-black eyes” of the mice and the promise of a picnic with “hot dogs and Pho.”

A wonderfully illustrated, not-too-serious story that may make children eager to visit a mouse town and try taffy hairstyles.

Pub Date: Dec. 20, 2014

ISBN: 978-0692342954

Page Count: 44

Publisher: Magic Lantern Press

Review Posted Online: April 22, 2015

Kirkus Reviews Issue: June 1, 2015

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DOG HEAVEN

Rylant's debut as a picture book illustrator (not to be confused with her board book debut as a collagist in The Everyday Books, 1993) offers sweet comfort to all who have lost loved ones, pets or otherwise. ``When dogs go to Heaven, they don't need wings because God knows that dogs love running best. He gives them fields. Fields and fields and fields.'' There are geese to bark at, plenty of children, biscuits, and, for those that need them, homes. In page- filling acrylics, small, simply brushed figures float against huge areas of bright colors: pictures infused with simple, doggy joy. At the end, an old man leans on a cane as he walks up a slope toward a small white dog: ``Dogs in Dog Heaven may stay as long as they like. . . .They will be there when old friends show up. They will be there at the door.'' Pure, tender, lyrical without being overearnest, and deeply felt. (Picture book. 5-9)

Pub Date: Sept. 1, 1995

ISBN: 0-590-41701-0

Page Count: 32

Publisher: Blue Sky/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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BEAUTIFUL OOPS!

A festive invitation to creative liberation.

A pleasingly tactile exploration of the possibilities inherent in mistakes.

"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.

A festive invitation to creative liberation. (Pop-up. 4-12)

Pub Date: Sept. 23, 2010

ISBN: 978-0-7611-5728-1

Page Count: 28

Publisher: Workman

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Dec. 1, 2010

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