A concise yet thorough account of a 1953 miscarriage of justice with alarming relevance today.
The short, heartbreaking life of a woman caught in the meat grinder of history.
Like British biographer and journalist Sebba, many readers first encountered Ethel Rosenberg (1915-1953) through E.L. Doctorow's fictionalized account in The Book of Daniel (1971) or in Sylvia Plath's The Bell Jar (1963) and came away with a general romantic impression that she was a martyr. This riveting biography, pulling together decades of previous work on the Rosenbergs as well as chilling new evidence released in 2014, fills in the blanks and proves the case. As Sebba demonstrates, Ethel was certainly a communist, as were many liberals in her pre-McCarthy era, but she was not a spy, as was her husband, Julius. The author’s sharp portrait of Julius is decidedly unflattering, whether he is slavering for the approval of his Russian handlers or keeping silent about his wife's (non)role to increase his own meager chances of survival. On the other hand, it's clear that the importance of the information he passed was exaggerated and executing him for it was barbaric. Though a juror saw Ethel as "a steely, stony, tight-lipped woman…the mastermind" of the operation, Sebba suggests that nothing could be further from the truth. What took her down was her unshakeable loyalty to her husband and a shockingly weak legal defense against Roy Cohn and a team of prosecution hotshots, plus a hanging judge. The author compellingly narrates Ethel's early life, the course of her relationship with the brother whose perjury sent her to the electric chair, and both her difficulties as a mother and her commitment to overcoming them. Could there be a better time to review "what can happen when fear, a forceful and blunt weapon in the hands of authority, turns to hysteria and justice is willfully ignored"?
A concise yet thorough account of a 1953 miscarriage of justice with alarming relevance today.Pub Date: June 8, 2021
ISBN: 978-1-250-19863-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 9, 2021
Kirkus Reviews Issue: April 1, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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