A concise yet thorough account of a 1953 miscarriage of justice with alarming relevance today.
The short, heartbreaking life of a woman caught in the meat grinder of history.
Like British biographer and journalist Sebba, many readers first encountered Ethel Rosenberg (1915-1953) through E.L. Doctorow's fictionalized account in The Book of Daniel (1971) or in Sylvia Plath's The Bell Jar (1963) and came away with a general romantic impression that she was a martyr. This riveting biography, pulling together decades of previous work on the Rosenbergs as well as chilling new evidence released in 2014, fills in the blanks and proves the case. As Sebba demonstrates, Ethel was certainly a communist, as were many liberals in her pre-McCarthy era, but she was not a spy, as was her husband, Julius. The author’s sharp portrait of Julius is decidedly unflattering, whether he is slavering for the approval of his Russian handlers or keeping silent about his wife's (non)role to increase his own meager chances of survival. On the other hand, it's clear that the importance of the information he passed was exaggerated and executing him for it was barbaric. Though a juror saw Ethel as "a steely, stony, tight-lipped woman…the mastermind" of the operation, Sebba suggests that nothing could be further from the truth. What took her down was her unshakeable loyalty to her husband and a shockingly weak legal defense against Roy Cohn and a team of prosecution hotshots, plus a hanging judge. The author compellingly narrates Ethel's early life, the course of her relationship with the brother whose perjury sent her to the electric chair, and both her difficulties as a mother and her commitment to overcoming them. Could there be a better time to review "what can happen when fear, a forceful and blunt weapon in the hands of authority, turns to hysteria and justice is willfully ignored"?
A concise yet thorough account of a 1953 miscarriage of justice with alarming relevance today.Pub Date: June 8, 2021
ISBN: 978-1-250-19863-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 9, 2021
Kirkus Reviews Issue: April 1, 2021
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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