A moving tale that’s emotionally powerful and historically edifying.
A daughter chronicles her father’s extraordinary life, including the suffering he endured under both Nazi and Communist tyrannies.
Nachman Libeskind was largely raised in Lodz, Poland, where his Jewish parents eked out a modest living with a small grocery store. Libeskind, who had three siblings, was an infectiously happy child, obsessed with art and music. Instead of sending him to a cheder, a traditional religious school, his parents reluctantly enrolled him at the Vladimir Medem School—a much more progressive, practical academy that changed Libeskind’s life. As a teenager, he was politically active in the Bundist movement and jailed; he quickly learned the precariousness of life in Poland as a socialist and as a Jew. After Nazi Germany annexed Lodz, it became clear that he had to flee the country. He headed to the southern hinterlands of the Soviet Union, and he met his future wife, Dora Blaustein, in Uzbekistan. The two were forced to work in labor camps in Kyrgyzstan before they eventually returned to Poland. The political climate there remained perilous, with Jews subject to harassment from the Soviet secret police and anti-Semites, both seemingly ubiquitous. In 1957, Libeskind moved his family to Israel, an exciting prospect for Dora, who was reunited with family members there. Later, they all moved to New York, where Libeskind made a name as a painter. Berkovits, Libeskind’s daughter and the author of this cinematically gripping debut biography, does a masterful job weaving together a coherent narrative, culled largely from tape recordings that her father left behind. She has a rare gift for storytelling, and along the way, she intersperses her own, first-person accounts of her father as she knew him (“I remember the first time we talked about my father’s imprisonment when I was a young teenager and felt that somehow he wasn’t telling me the whole story”). Overall, the prose is lively and direct, and the story is deeply affecting. Sometimes, the author’s tendency to leap forward and backward in time is a touch disorienting, but this is a minor quibble when balanced against the work’s virtue as a whole.
A moving tale that’s emotionally powerful and historically edifying.Pub Date: Sept. 1, 2016
ISBN: 978-1-77112-066-1
Page Count: 400
Publisher: Wilfrid Laurier University Press
Review Posted Online: Sept. 20, 2016
Review Program: Kirkus Indie
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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