by Annie Watson ; illustrated by Eric Zelz ‧ RELEASE DATE: June 22, 2021
A delightful picture-book introduction to poetic devices.
Moofy, the monster who lives under the unnamed protagonist’s bed, is a complex creature of many, many talents.
He has quick reflexes and is a master of disguise. Despite his fearsome, sword-sharp teeth, he can also be silly, resembling a rug more than a monster. Moofy also has a softer side. He loves to help make muffins, to read books, and to gaze at the moon. Moofy’s tendency to create chaos does not deter his adoring fans, who shower him with attention and high-fives. Moofy, it turns out, is not just any monster: He is the protagonist’s cat—and their best friend. The cleverly over-the-top text utilizes a variety of literary devices to describe Moofy’s colorful life and personality, organically and effectively introducing young children to concepts like metaphor, simile, alliteration, allusion, hyperbole, and rhyme. The protagonist is endearing, and their affectionate perspective renders Moofy’s antics delightful to behold. The watercolor illustrations, which utilize a gentle pastel palette, perfectly complement the text: Each picture shows a few more details about Moofy, helping readers realize that Moofy is actually a cat. The protagonist is depicted with beige skin and dark, straight hair. The examples of each device are clear, accurate, and child friendly, making this book an excellent resource for an elementary language-arts classroom or an ideal gift for a young, budding writer. (This book was reviewed digitally.)
A delightful picture-book introduction to poetic devices. (glossary) (Picture book. 4-8)Pub Date: June 22, 2021
ISBN: 978-0-88448-801-9
Page Count: 36
Publisher: Tilbury House
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
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by Annie Watson ; illustrated by Rebecca Evans
by Joseph Bruchac & James Bruchac & illustrated by Jose Aruego & Ariane Dewey ‧ RELEASE DATE: March 1, 2001
Noted storyteller Bruchac (Squanto’s Journey: The Story of the First Thanksgiving, p. 1498, etc.) teams up with his son, James (Native American Games and Stories, not reviewed) to present a pourquoi tale from the East Coast Native American tradition. Bear is undeniably big; he is also a braggart, given to walking through the forest and proclaiming his superiority to all within earshot: “I can do anything! Yes, I can!” When he hears this, little Brown Squirrel challenges Bear to tell the sun not to rise the next day. This Bear does, and when the sun does in fact rise despite his injunction not to, Brown Squirrel unwisely gloats: “Bear is foolish, the sun came up. Bear is silly, the sun came up.” Thanks to trickery, Brown Squirrel escapes with his life, but not before Bear claws the stripes into his back that cause him to change his name to Chipmunk. The Bruchacs translate the orality of the tale to written text beautifully, including dialogue that invites audience participation. Aruego and Dewey’s (Mouse in Love, p. 886, etc.) signature cartoon-like illustrations extend the humor of the text perfectly. One spread shows the faces of all the animals rejoicing in the yellow light of the newly risen sun—all except Bear, whose glower contrasts ominously with Brown Squirrel’s glee. Clever use of perspective emphasizes the difference in size between boastful Bear and his pint-sized trickster opponent. Authors’ notes precede the story, explaining the history of the tale and each teller’s relationship to it. A winner. (Picture book/folktale. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8037-2404-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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BOOK REVIEW
by Asia Citro ; illustrated by Richard Watson ‧ RELEASE DATE: Sept. 24, 2019
Good fun for early counters.
A one-to-10 counting book featuring a cast of active pigeons.
“One bright and sunny morning, ten pigeons” sit on a wire when along come some bees and throw them all into a tizzy. A handful of the pigeons take off—readers can count their tails in the margins of the pages—so “OK. Let’s try that again. Um, ten minus six is… …four.” Readers can see right on the wire there that if six pigeons fly off, that leaves four—math at its most accessible. Well, there are four until one finds a sandwich that lures four of the dispersed birds to return. That adds up to eight. And there they are, that now gray and cloudy morning, when it starts to rain and six pigeons fly away to seek shelter. Again, readers can count the birds to arrive at the new number, or they can work the equation that is provided: “Let's see…eight minus six is…”? On the counting game goes via interruptions into the twilight, when the narrator gives up—these pigeons won’t stay still long enough to introduce them—until it comes time to go to bed and end the story. Citro’s exasperated text works hand in glove with Watson’s comical birds to make this counting game a joy rather than a task. The narrative text expresses equations in words, and corresponding number sentences are tucked into the scenes.
Good fun for early counters. (Picture book. 4-8)Pub Date: Sept. 24, 2019
ISBN: 978-1-943147-62-5
Page Count: 40
Publisher: The Innovation Press
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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BOOK REVIEW
by Asia Citro ; illustrated by Troy Cummings
BOOK REVIEW
by Asia Citro ; illustrated by Marion Lindsay
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