by Anthony Bane ‧ RELEASE DATE: Jan. 3, 2018
A seemingly endless book of nearly identical poems on romantic idealism.
From Bane, a debut collection of emotional love poems.
Over the course of more than 200 pages of poems, arranged alphabetically, the narrator professes enamored feelings for a beloved, expresses gratitude for the love they share, and details the ache of absence. These devotional love poems are written in first-person rhyming quatrains with a hypnotic, rhythmic quality. In an idyllic, magical landscape bordered by waves and home to rainbows and moonbeams, the beloved is compared to many forms: a star, an angel, a missing puzzle piece, a rose: “In the distance is the sunset, / Colored in pastels of red and blue. / This mystery on the horizon / Made me think of loving you.” This bubble of romantic enchantment is a world where dancing is encouraged, memories are always good, and a pot of gold is discovered in every kiss. The love felt by the narrator and the beloved is a fated and forever love. “Fate brought us together / When we never expected to be. / A kiss so tender on a blissful night— / The beginning of you and me,” begins the poem “Forever Us.” In this space, love conquers all and is the key to unlocking new blessings daily. Spirituality also plays a role, and God makes frequent appearances: “The treasure in every day / Is to cherish all that’s real: / The touch of God within us / And His blessings that we feel.” As familiar as this lovey-dovey language will be to anyone who has fallen hard for a seemingly perfect partner, the repetitive nature of the rhyming scheme and the constant recurrence of the same symbols (heaven’s door, rainbows, sunshine, dreams) grow tiresome. These are trite poems with little of the grit and sacrifice and scars inherent in love lived in reality. Excellent physical descriptions—“Your coat is woven with golden threads / From strands of angel’s hair,”—are the highlights of the collection.
A seemingly endless book of nearly identical poems on romantic idealism.Pub Date: Jan. 3, 2018
ISBN: 978-1-5320-3646-0
Page Count: 248
Publisher: iUniverse
Review Posted Online: March 21, 2018
Review Program: Kirkus Indie
Share your opinion of this book
by William J. Rewak ‧ RELEASE DATE: Oct. 25, 2016
Awards & Accolades
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2017
That Rewak (The Orphan Bear, 2014, etc.) is a professor, a university chancellor, and a monk only makes the fact that he is also an accomplished poet more impressive.
It is difficult to talk about Jesuit poetry without invoking Gerard Manley Hopkins. Hopkins was a monk, a spiritual seeker, and a poet responsible for some of the most moving, challenging English verse of the last two centuries. So it’s entirely fitting that Rewak—himself a Jesuit—calls out to his forebear in his new collection. “A New Task” is written in Hopkins’ memory, and in it, Rewak asks the poet, “Do you see, finally, after the dimness / that shadowed your black-robed walks / down lanes of half-opened eyes, / all the sentences left to be completed? / Is your pen busy with new, full-blown / wonders—stanzas that startle the saints?” Rewak’s own verse may not startle any saints, but it’s sure to please almost anyone else. But if Hopkins’ language is an ancient, gnarled oak, Rewak’s is a young birch, and his lines are smooth, white, and unbroken. Often flowing and conversational, his works are conceptually and emotionally ambitious but eminently readable. Take the humble, pristine “Rose”: “This little rose / is the best thing / I ever grew for you / on this small planet / you can take the dinosaurs / and mushrooms, the great / Himalayas, full of grandeur / (as an indication of My size) / but this thing I hold....” Here, the poet’s direct address and his coyly simple language remind us of the beauty of small things—even things so frequently praised as that red flower. Like Hopkins before him, Rewak addresses God less often than the beautiful, sublime world. But when he does turn his attention to religious matters, it’s with wit and insight. Here is “Verdict,” which is presumably about the trial of God: “They’ve put You on trial / I’m told: / it was whispered to me / proceedings are held tight / in a shuttered room… / but I notice the sun / still shines / because at heart You’re generous / and inclined to overlook petulance.” Would that all poets could write with such tact and humor.
Pub Date: Oct. 25, 2016
ISBN: 978-1-5390-5255-5
Page Count: 232
Publisher: CreateSpace
Review Posted Online: Oct. 26, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Review Program: Kirkus Indie
Share your opinion of this book
by Ramesh Sharma ‧ RELEASE DATE: July 25, 2018
A well-intended celebration of Americanness that becomes mired in hyperbolic fervor.
Sharma (America Tattwamasi, 2016) explores American freedom in this collection of poetry.
In his previous book, the poet observed America through the lens of the Hindu Upanishads, with an emphasis on religion, politics, and universal spirituality. This second collection of more than 200 poems is “the continuation of the same vision, message, and mission,” he reveals early on. As a whole, it showcases an unswerving belief in American ideals; indeed, Sharma describes America, in his introduction, as representing “the supreme philosophy of freedom and liberty.” However, he also states that his lengthy, 52-page title poem is a lyrical attempt at “reinvigorating this great country” in the face of what he perceives as current “weakness and complacency.” Still, the poem portrays the nation as a wellspring of benevolent energy. Speaking directly to America itself, the narrator offers absurd exaggeration: “You are the one on whom is pinned the advancement of human / civilization, with all its sacredness intact.” He then turns a critical gaze toward people in politics, asking, “Why have our politicians relegated themselves to third world / demagogues? / Why are they twisting our sacred documents to suit their knavish / dispositions?” The result is a fervent cri de coeur that asks the amorphous American spirit to “arise and illumine the eyes of humanity,” as “It is time to bludgeon the dark that is trying to decapitate truth and / veracity.” Some readers may interpret these lines as revolutionary, aggressively nationalistic, or even colonialist in tenor, with their inference that everything that isn’t America is in darkness, waiting to be illuminated or crushed. In a later poem, the narrator declares, “The uncompromising advocate / Of racial harmony and tolerance, / O America, / I salute thee!” Sharma’s writing echoes the nigh-biblical, overspilling grandiosity of Walt Whitman’s literary style. However, there’s also a hint of zealotry here, and some readers, including those engaged in campaigning for racial equality in the United States, will likely balk at this collection’s assumptions of harmony and tolerance.
A well-intended celebration of Americanness that becomes mired in hyperbolic fervor.Pub Date: July 25, 2018
ISBN: 978-1-5462-5150-7
Page Count: 358
Publisher: AuthorHouse
Review Posted Online: Oct. 2, 2018
Review Program: Kirkus Indie
Share your opinion of this book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.