An unusual thriller that’s more thoughtful than suspenseful.
In De Benedict’s debut novel, a brilliant executive faces a crisis of faith and morality that will affect the entire human race.
Adam Questor is the Nobel Prize–winning vice president of a global pharmaceutical corporation. After one of his top researchers, John Smite, commits suicide, he’s not only shocked by the death, but also left with a moral dilemma. Only days before, Smite showed him lab results that would change the course of human history if they were shared with the company or anyone else. Questor flees to the solitude and tranquility of a monastery to contemplate his options—and his lost faith. His domineering, unethical boss, Ralph Edwards, desperate to learn what Questor knows, sends in an attractive psychiatrist named Evelyn Wyman, as well as a pair of thugs to follow Questor’s every move and record his conversations. Later, an artificial intelligence program that holds the key to John’s incredible discovery begins contacting Questor directly. Soon, he has the answer to life’s greatest mystery and must rely on the help of Wyman and a resourceful monk to protect it from his boss. In this thriller with religious overtones, global conspiracies, and a man and woman on the run, De Benedict takes themes from novels like Dan Brown’s The Da Vinci Code and crafts them into a more contemplative narrative. He swaps out those books’ puzzles and riddles for more complex philosophical debates, and readers who appreciate thought-provoking ideas over cheap thrills will welcome this new perspective. However, the exhaustive discussions also tend to slow down the story, replacing opportunities for suspense and tension with extended exposition and esoteric references. Instead of communicating with one another in a natural way, characters tend to deliver long, dense monologues that analyze problems or explain scientific, religious, or psychological points (“Before you go into your dissertation on how the Church ignored Duns Scotus in favor of Aquinas, would you just answer my simple question?”). Fortunately, Questor is a consistently intriguing character who’s admirable, reasonable, and complex, and his internal narrative provides a unique adventure.
An unusual thriller that’s more thoughtful than suspenseful.Pub Date: Feb. 27, 2015
ISBN: 978-1496969613
Page Count: 418
Publisher: AuthorHouse
Review Posted Online: April 16, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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