An excellent work of journalism and a strong contribution to the literature of both mental health care and civil rights.
A thoroughgoing, often shocking exposé of segregation in the treatment (or nontreatment) of mental illness.
NBC News reporter Hylton documents the history of Crownsville Hospital in Maryland, founded in 1911 as the Hospital for the Negro Insane. Getting to the story was not easy: The archives were incomplete because “the state had destroyed or lost most of the files preceding the year 1960, and others they had allowed to become contaminated with asbestos.” Unsurprisingly, the more controversial the past episode, such as the murder of a patient or systematic abuse, the likelier the documents were to have disappeared. Even so, in digging into the archives and seeking out those with firsthand or secondhand memories of the place, the author uncovered profoundly unsettling stories. One concerns an educator who, upon entering Crownsville after a case of typhoid fever had affected his mental health, “was just another inmate.” He was also effectively enslaved, and though Maryland was not in the Confederacy, it did permit slavery until 1864. In the Jim Crow era, Crownsville’s population swelled, its inmates growing tobacco and food crops under the supervision of white overseers; inside the walls of Crownsville, whites also governed the lives of Black people who were less treated than incarcerated. “Crownsville’s founding took vestiges of chattel slavery—from the style of the rolls to the financial recordkeeping format used on plantations—and translated them to a clinical setting,” writes Hylton, and the administration of the hospital remained remarkably consistent even after Maryland ordered the desegregation of state mental hospitals in 1962. Meaningfully, Hylton closes by examining the racialized discrepancies in mental health care today as they played out in the New York subway murder of Jordan Neely in 2023.
An excellent work of journalism and a strong contribution to the literature of both mental health care and civil rights.Pub Date: Jan. 23, 2024
ISBN: 9781538723692
Page Count: 368
Publisher: Legacy Lit/Hachette
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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