Sumptuous and immersive—perfect for encouraging kids to celebrate their own family connections.
Milestones in the life of a loving Black family.
A young boy explains that on special occasions, his family gathers outdoors around a big wooden table beneath the shade of a moss-draped tree. They honor Grandpa and Grandma “for the family they’ve built,” watch fireworks light up the sky, and come together for the wedding of the protagonist’s uncles, who “can finally say: I do.” Punctuated with the phrase “This is the table,” the text is elegant and reverent, though laced with appropriately childlike observations from the young narrator. “This is the table of love / Slobbery love, if you ask me,” the boy notes as Grandpa asks Grandma for a kiss. And after the protagonist’s younger sister is born, “This is the table of hope. / (And I hope someone gets a diaper change ASAP.)” Eady’s words often emphasize the connections between humans and the natural world around them, while Ladd’s deeply saturated mixed-media illustrations portray a lush, verdant Lowcountry summer and wring joy from simple yet meaningful moments. Somehow everyone ends up wearing icing from the wedding cake, and when a Lowcountry boil is on the menu, an overhead image depicts eager hands reaching across a newspaper-covered table for corn, crabs, and potatoes. Various skin tones and hairstyles show the diversity that can exist within a single Black family.
Sumptuous and immersive—perfect for encouraging kids to celebrate their own family connections. (author’s note) (Picture book. 3-8)Pub Date: May 6, 2025
ISBN: 9780593480601
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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