A good pick even for picky readers.
Little Donkey lives out the adage that you are what you eat, with humorous outcomes.
Little Donkey is a finicky eater and will eat only green grass. Mom tries to convince her child to try other foods, to no avail. Humorous illustrations show that Little Donkey’s exclusive overconsumption of grass causes a dramatic transformation. When Little Donkey sees a decidedly green reflection in the pond, the young equine panics, rolling in mud and leaves to try to conceal the greenness. Mom sees right through this ruse—Little Donkey’s green snout is clearly and comically visible. This finally prompts Little Donkey to try other foods, but none appeal—until Little Donkey tries carrots. Careful readers may have noticed the carrots decorating the front endpapers and will delight to see this newfound favorite food. Alas, trying and loving carrots does not break Little Donkey’s trying trait. Young readers will not be surprised to see the protagonist overindulging so that the once-green hide turns orange. “Great,” Little Donkey says on the final page, delivering a funny ending if not a sign of growth. Throughout, Allepuz’s colorful illustrations augment the text’s humor, especially in a spread akin to a centerfold that shows Little Donkey’s alarm at being all green, head-to-hoof.
A good pick even for picky readers. (Picture book. 3-5)Pub Date: July 7, 2020
ISBN: 978-1-5362-0937-2
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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