by April Genevieve Tucholke ; illustrated by Khoa Le ‧ RELEASE DATE: Sept. 13, 2022
A sweet tale of sisterly differences and love.
Sisters who are opposites may help readers find ways to feel comfortable out of their comfort zones…if they have the support of their siblings.
While most children will not feel the same way Beatrice does about the dark, spiders, quiet, and picnics in graveyards, they will understand her love for those things and her confusion when faced with their opposites—sunny days and loud things and talking, all things her younger sister, Roo, loves. Tucholke presents each sister’s preferences in a way that will have readers empathizing with both and wondering how they will ever get along. But in the end, a sisterly hand in the dark of night, a potion to help Roo appreciate the dark, and a song to help Beatrice learn to enjoy the light bring the two together. They don’t suddenly change their likes and dislikes, “but they can love each other, all the same.” Thrice repeated words in a font that increases in size weave a spell over readers and emphasize mood. For instance, Beatrice doesn’t understand “why some things are so bright bright bright and so loud loud loud.” Le’s artwork masterfully uses color to set the mood: deep background colors, black, and orange and red highlights for Beatrice’s pages; white or light blue backgrounds and bright colors filling Roo’s pages; and a blend of the two when the sisters come together. Both sisters are light-skinned with light hair. (This book was reviewed digitally.)
A sweet tale of sisterly differences and love. (Picture book. 4-8)Pub Date: Sept. 13, 2022
ISBN: 978-1-64375-157-3
Page Count: 32
Publisher: Algonquin
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by April Genevieve Tucholke ; illustrated by Rebecca Santo
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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