by April Genevieve Tucholke ‧ RELEASE DATE: Oct. 2, 2018
Wow.
In this saga inspired by the ancient tale of “Beowulf” our hero is a 17-year-old death-trader named Frey.
Silver-haired Frey is the leader of a band of Boneless Mercies, women who roam the land bringing relief to the sick and the old. Frey’s sister Mercies are greenish-blond–haired Sea Witch Juniper, markswoman Runa, and reserved, stoic Ovie. The only male, Trigve, is a healer. The life of a Mercy is uneventful; she performs her death work, gets paid, and moves on. Once a deceased Mercy passes out of living memory, she disappears into obscurity. But Frey wants more than that. She wants bards to immortalize her in song. She wants glory, and if she dies seeking it, so be it. Her chance comes when she decides to pursue the legendary Blue Vee beast, a creature that decimates entire villages. Blue Vee’s jarl (king) has lost half his warriors to the beast, but Frey is confident that she and the Mercies can bring the creature down. The monetary reward for doing so will allow them to leave Mercy-killing behind. Narrator and protagonist Frey is quite unusual among female heroes: hungry for glory—bloodthirsty, even—but still likable. These fierce, honorable adolescent female warriors hold their own and break all the rules. Marked by flawless worldbuilding—even though it’s still a man’s world—the book is set in an alternate Scandinavia and assumes a white default.
Wow. (Fantasy. 12-adult)Pub Date: Oct. 2, 2018
ISBN: 978-0-374-30706-6
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by April Genevieve Tucholke ; illustrated by Rebecca Santo
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by April Genevieve Tucholke ; illustrated by Khoa Le
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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