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LUNA LUMINOSA, ¿DÓNDE ESTÁS? / LUMINOUS MOON, WHERE ARE YOU?

STEM content and a Spanish lullaby pair up for a satisfying bedtime story.

A boy discovers that the moon is missing from the sky and enlists the help of nighttime animals to find it in this bilingual picture book.

Juanito opens his front door one night to be met with a moonless night sky, so he decides to ask a variety of nocturnal animals if they are the ones who have taken the moon away. Each animal he asks, from the coyote to the fireflies, tells him they do not have the moon. Eventually, Juanito discovers the truth: that the visible moon is constantly changing but will always return. The traditional Spanish children’s song “Sale la luna” is incorporated into the story and adds musicality to the finish of the book. The lyrics remind young readers in both Spanish and English that “The moon comes out so round / … / Always bright no matter the size.” Each double-page spread includes an image of five moon phases as seen from the Southern Hemisphere. After the cicada is introduced, it playfully interacts with the moon-phases graphic for added fun. The animal sounds used in each character’s response to Juanito’s queries make for perfect read-aloud potential. The dreamlike illustrations depict Juanito as a young Latinx boy with brown skin and straight brown hair.

STEM content and a Spanish lullaby pair up for a satisfying bedtime story. (Bilingual picture book. 3-5)

Pub Date: Oct. 31, 2020

ISBN: 978-1-55885-911-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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RED HOUSE, TREE HOUSE, LITTLE BITTY BROWN MOUSE

Delightful and engaging.

Preschoolers can follow a little brown mouse on its traveling adventures in this engaging color concept book.

As the book starts, a little mouse can be seen packing up her equally itty-bitty suitcase. Rhyming text with a wonderful read-aloud rhythm introduces readers to the little mouse’s street: “Red house / Blue house / Green house / Tree house! / See the tiny mouse / in her little brown house?” Clean-lined, colorful illustrations in Gómez’s signature style lead readers along: into a flower-filled garden; on a ride on a red city bus; in a potted windowsill plant attended by a child; on the curb where a group of people wait to cross a street; in an underwater scene with “one gigantic whale!”; and on a jolly ride that employs a string of vehicles. The little mouse is not mentioned again, making it easy for readers to forget it as they get caught up in the myriad delightful details of each illustration. No problem there. The book ends with “and did you spot that mouse?” This should send children back to the beginning, this time in earnest search of the little mouse and her itty-bitty suitcase. Should children need further enticement to read the book again, travel patches on the endpapers invite readers to match them to the relevant part in the story. The people depicted are diverse both racially as well as in physical ability.

Delightful and engaging. (Picture book. 3-5)

Pub Date: Aug. 27, 2019

ISBN: 978-0-525-55381-6

Page Count: 40

Publisher: Dial Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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I LOVE YOU MORE AND MORE

A particularly soppy, sloppy addition to an already-overstuffed genre.

A bear cub gets a load of lyrical loving from a lumbering parent in this nature walk.

Expressed in stumbling rhyme—“I love you more than trees / love to change with every season. / I love you more than anything. / I cannot name just one reason”—Benson’s perfervid sentiments accompany scenes of bear and cub strolling through stands of birch, splashing into a river to watch (just watch) fish, and, in a final moonlit scene, cuddling beneath starry skies. Foxes, otters, and other animal parents and offspring, likewise adoring, make foreground cameos along the way in Lambert’s neatly composed paper-collage–style illustrations. Since the bears are obvious stand-ins for humans (the cub even points at things and in most views is posed on two legs), the gender ambiguity in both writing and art allow human readers some latitude in drawing personal connections, but that’s not enough to distinguish this uninspired effort among the teeming swarm of “I Love You This Much!” titles.

A particularly soppy, sloppy addition to an already-overstuffed genre. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-1-68010-022-8

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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