by Aram Saroyan ‧ RELEASE DATE: Nov. 23, 1993
Knife-edged retelling of a killing in California's ritzy residential country club Rancho Mirage, in which the sadistic victim heedlessly orchestrates his own murder by way of his mentally troubled wife. Saroyan (Friends in the World, 1992, etc.) writes more coolly here than ever before and few will deny his objectivity, although he clearly deplores the court's final verdict of first-degree murder, with no insanity plea influencing the wife's sentence of 25-years-to-life. Beautiful ninth-grade dropout Andrea Claire, a lifelong victim of males and addicted to serving them, leaped from high-priced call girl to wife of elderly Bob Sand, a millionaire bound to a wheelchair by multiple sclerosis but gripped by a boundlessly kinky sex drive. This was her fifth disastrous marriage, his second, and at the time of his death she was 39, he 69. She married, she said, not for money but companionship. But jealous Bob curtailed her social life, kept her running about the house nude, enjoyed making up rape fantasies and having Andrea act them out while he masturbated or took endless Polaroids of her bareness. Andrea liked this sex play with her fun-loving, well- read, intellectual husband (as she saw him) and had no qualms when he showed his photo collection to visitors. But she began reacting badly to his ever more intense spanking-and-rape fantasies, which echoed a real rape endured in her teens: Her none-too-stable mind at last burst as he drew for her a terrible scene, causing her to go into a blackout and stab him 26 times. The prosecutor bent himself fiercely to proving her sane, and won, but the reader groans. Told through a film of ice—but may Saroyan's success here not trap him exclusively in the true-crime genre. (Photographs—not seen)
Pub Date: Nov. 23, 1993
ISBN: 0-942637-95-X
Page Count: 366
Publisher: Barricade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1993
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BOOK REVIEW
by Aram Saroyan
by Gary Indiana ‧ RELEASE DATE: April 1, 1999
Novelist and essayist Indiana (Resentment, 1997; Rent Boy, 1994; etc.) combines fictional and journalistic techniques in this true crime “hybrid of narration and reflection,” which is, in his words, “a pastiche” that is “fact-based, but with no pretense to journalistic “objectivity.” Andrew Cunanan caught the media’s full attention with the murder of fashion designer Gianni Versace, an act that was the culmination of a rampage in which Cunanan apparently killed four other men before Versace and himself afterward. Indiana dismisses the media’s hypercoverage at the time as largely fanciful: —Cunanan’s life was transformed from the somewhat poignant and depressing but fairly ordinary thing it was into a narrative overripe with tabloid evil.— Indiana bases his own portrait on interviews with Cunanan’s childhood friends, school reports, numerous of his acquaintances in San Diego, and FBI and local police reports. The portrait that emerges from this in-depth probe is of a smooth, clever pathological liar, a well-known, well-dressed, but not especially well-liked member of San Diego’s gay subculture. Indiana portrays Cunanan as having a penchant for sadomasochistic sex in which he was the dominating figure. Sometimes kept by an older man, sometimes peddling prescription drugs, Cunanan generally lived well, but in 1997, things took a turn for the worse. With his credit maxed out, he headed for Minnesota to visit two former colleagues, Jeff Trail and David Madson, neither of whom was pleased to see him. Indiana lets his imagination loose on the known forensic data to create the ghastly scenes in which Cunanan murders first Trail (furiously) and then Madson (cold-bloodedly); his brutal S&M slaying of Lee Miglin, a wealthy older man; and his shooting of a cemetery caretaker whose truck he stole. As Cunanan’s life spirals downward, Indiana portrays his psyche taking a nosedive, too. In his version of Versace’s shooting, he has the fugitive Cunanan hearing voices that direct his actions. It may not be the truth, but it all seems quite plausible. A vivid and gripping account. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-06-019145-7
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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by Gary Indiana
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by Gary Indiana
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by Gary Indiana
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IN THE NEWS
by James Neff ‧ RELEASE DATE: April 1, 1995
A fast-paced reconstruction of the five-year crime spree of Cleveland serial rapist Ronnie Shelton and the case that put him behind bars. Neff (Ohio State Univ. School of Journalism; Mobbed Up, not reviewed) certainly avoids the journalistic excesses of the true- crime genre. He gathered documents ranging from private diaries to psychiatric evaluations as well as interviews to reconstruct the plentiful dialogue and interior monologue that advancs the story. He also gained Shelton's cooperation, so he's able dramatically to portray some of the rapist's life and thought. Neff writes in brief scenes: he cuts from women being raped in their homes to the rapist's childhood as a peeping Tom and a victim of physical abuse from his parents, to Shelton's adult life: at a nightclub, a wiry man with long, rock-star hair, fighting to protect a woman menaced by her boyfriend. Maybe, he thinks, he should become a cop to earn the respect of a father who had always thought him a sissy. Neff tries unsuccessfully to make drama out of the police on the case. Better is his focus on Shelton's many victims, fighting the lingering psychological horrors of the crime that has been called ``unfinished murder.'' Finally, the cops got a break, tipped to Shelton by a vague photo of his car taken by a surveillance camera at a bank where his used a victim's ATM card. Despite the testimony of Shelton's psychiatrist that he couldn't help himself, the young man was found guilty of 49 rapes and sentenced to 3,198 years imprisonment. In an epilogue, Neff recounts how he learned that many of the victims ``bonded into a remarkable sisterhood of strength'' and offers some more analysis of Shelton's twisted psyche, although he acknowledges, ``I cannot say for certain why he turned out the way he did.'' Competent and thorough—so thorough, in fact, that local color overwhelms any inquiry into the broader issues raised by Shelton's case.
Pub Date: April 1, 1995
ISBN: 0-671-73185-8
Page Count: 352
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
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