Wild Willy holds the stage well enough, but those sharp, edgy Brattleboro portraits, series mainstays until now, will be...
Fans of Mayor’s sturdy Brattleboro series (Tucker Peak, 2001, etc.) know Willy Kunkle as the stormy petrel of Joe Gunther’s Vermont Bureau of Investigation. But Mayor’s series hero likes Willy and has always supported him, enduring his quirkiness for the sake of his talent. Now, however, Joe’s loyalty is about to be severely tested. Wild Willy’s own case begins with a phone call that sends him flagrantly AWOL. The call, from a New York cop, informs Willy of the sudden demise of his ex-wife and asks whether he can make his way to the city to identify her body. Willie ID’s her, all right, then proceeds to ID her cause of death as something other than accidental. Turns out the former Mrs. Kunkle was deeply involved in a good many complicated, illegal activities, including blackmail, the enterprise that eventually got her snuffed. Driven by his own peculiar code of honor, Willy mounts an investigation that is both unorthodox and lethal, sending out bad guys in body bags at a pace that does nothing to endear him to local law enforcement. Still, he does solve the case and even gains an insight or two into the mystery of Willy Kunkle. And Joe, accompanied by Detective Sammy Martens, Willy’s patient and understanding lover, arrives in time to extricate him from the NYPD’s tender mercies.
Wild Willy holds the stage well enough, but those sharp, edgy Brattleboro portraits, series mainstays until now, will be missed.Pub Date: Oct. 22, 2002
ISBN: 0-89296-767-6
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
Readers who’ve always wanted to see Spenser in Tinseltown can cross that off their bucket lists.
Spenser goes to Hollywood.
In the two years since she’s moved from Cambridge to Los Angeles in pursuit of stardom, Gabrielle Leggett has been a dog walker, a personal assistant, a model, an actress, a media influencer, and now, for the past two weeks, a missing person. The LAPD knows about Gabby’s disappearance, but her mother, dissatisfied with their efforts, sends Spenser (Robert B. Parker’s Old Black Magic, 2018, etc.) out to the Left Coast to do the job right. Predictably, Gabby’s agent and former romantic partner, Eric Collinson, doesn’t want to talk to him. Neither does Jeffrey Bloom, the acting coach who thought Gabby had just dropped out of his class, or Jimmy Yamashiro, the married studio CEO who took Collinson’s place. And the only thing publicist Nancy Sharp, Gabby’s ex-boss, wants to talk about is how much fun she and Spenser could have if he’d only lighten up. Eventually Spenser works his contacts to get an audience with Yamashiro, but the results are less than impressive. He must be making an impression, though, because five Armenian thugs ambush him and shoot his West Coast associate, Zebulun Sixkill, in the arm, disabling him and requiring Spenser to look for another sidekick. Eventually he gets a lead that connects Gabby to Joseph Haldorn, aka Phaethon, the founder of HELIOS, a hush-hush organization that promises self-actualization and conducts itself suspiciously like a cult. But instead of thickening, the mystery surrounding Gabby just gets more violent and diffuse. Surprisingly, Atkins gets the hardest parts right—his hero/narrator now sounds indistinguishable from Robert B. Parker’s—but bogs down in the plotting, the area in which he presumably had the freest hand. As for the cod-out-of-water milieu, it evokes not so much particular SoCal locations as dozens of earlier SoCal whodunits.
Readers who’ve always wanted to see Spenser in Tinseltown can cross that off their bucket lists.Pub Date: Nov. 19, 2019
ISBN: 978-0-525-53682-6
Page Count: 320
Publisher: Putnam
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.
A fatal accident that tangles the fates of three ill-assorted people when two cars crash into each other outside a Gloucester village raises urgent questions about the living.
Hours after being ejected from the Lamb, Viv Holland’s pub in Lower Slaughter, her former boss Fergus O’Reilly, who’s turned up without warning and pressed her to take a new job 12 years after she quit his Michelin-rated Chelsea restaurant, is found dead after a collision outside the village. Nor is he the only victim: Nell Greene, the Lamb patron who’d picked up Fergus when she saw him walking uncertainly along the road to drive him to the hospital, has also died at the scene. And there’s evidence that Fergus was fatally poisoned even before the crash. The Met’s Detective Superintendent Duncan Kincaid and his wife, DI Gemma James, are on hand to investigate because they’ve accepted an invitation to stay at Beck House, the home of DS Melody Talbot’s wealthy parents, Sir Ivan and Lady Adelaide Talbot, for whom Viv has agreed to cater an elaborate charity luncheon. But Kincaid, who was driving the car Nell struck and survived the collision only to see Nell die as he looked on helplessly, isn’t himself either physically or mentally, and the solution seems a long way off. There’ll be another murder, a series of increasingly revealing flashbacks to Viv’s stint at O’Reilly’s 12 years ago, and endless updates on the sexual histories of the suspects with the victims, each other, and the police. Through it all, Kincaid and Gemma (Garden of Lamentations, 2017, etc.) keep stiff upper lips even when the dark revelations reach into Beck House.
Leisurely, conscientiously plotted, smoothly written, and more surprising in its details than its larger arc.Pub Date: Oct. 8, 2019
ISBN: 978-0-06-227166-2
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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