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DEATH WATCH

From the Undertaken Trilogy series , Vol. 1

Original ideas bog down in prosy, purpose-driven writing.

Folklorist Berk enters the world of teen lit with mixed results.

In a town where ancient customs hold sway and the dead often linger, a young man named Silas searches for his father and learns that he may be destined to help move souls on. Berk knows a great deal about death and its attendant rituals and stories, but he doesn’t have the same facility with dialogue or characterization. Occasional incandescent moments—Silas’ journey to the dead’s gathering places, his efforts to reunite the souls of lost children with those of bereft mothers—fail to shine when crammed into a tale torn in too many directions. Plot necessities drive behavior: Mrs. Bowe, who plays the archetypal role of wise guide to Silas as he learns how to be an undertaker, is often and inexplicably reticent; Silas suddenly grows a backbone when needed but is otherwise intensely passive. Tighter editing could have streamlined the thematic clutter (search for a father, murder mystery, examination of family and responsibility, coming into power and, odd in a YA title, the pain of losing a child) and the tendency toward repetitive writing, but not the almost didactic underlying message (helpfully reiterated in the backmatter) about the importance of remembering the past and the dead.

Original ideas bog down in prosy, purpose-driven writing. (reading group guide, author Q&A) (Fantasy. 12 & up)

Pub Date: Nov. 15, 2011

ISBN: 978-1-4169-9115-1

Page Count: 544

Publisher: Simon & Schuster

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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GO AWAY, SHELLEY BOO!

Emily Louise is certain that the new girl moving in next door will be simply awful. Working herself into a frenzy (in long passages of text that take the conceit just about as far as it can go), she imagines a terror of a child named Shelley Boo who is a swing swiper, eats nothing but peanut butter, has “drillions and drillions” of baseball cards, and steals Emily’s best friend, Henry. Stone’s exuberant color drawings, filled with whimsical animals and reminiscent of folk art, are less effective here than in What Night Do Angels Wander? (1998). Children will still identify with Emily’s anxiety about a new neighbor and share her relief when she finally does meet the infamous “Shelley Boo,” who is really named Elizabeth. (Picture book. 4-8)

Pub Date: Sept. 1, 1999

ISBN: 0-316-81677-9

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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GROWING WINGS

While 11 is a time in a girl’s life when her body is undergoing changes, Linnet’s physical changes are highly unusual—she is growing wings. To her amazement, this bizarre fact doesn’t surprise her mother Sarah, who it turns out also had wings at Linnet’s age. But Linnet’s grandmother had cut off Sarah’s wings, not being able to imagine her navigating her way though life with them. After the school term ends, Linnet insists on going to look for, as she puts it, “anyone else like me.” After several days of travel and after being abandoned by her mother, Linnet ends up at her grandmother’s, who takes Linnet to an isolated house way up in the mountains, a secret place where other winged people live. Safe in the community of others like herself, Linnet and one of the others, Andy, try to teach themselves to fly but for various aeronautical reasons, they are both unable to. Linnet and Andy finally realize that they are unwilling to hide for the rest of their lives, even if it means being called freaks by intolerant people. The two kids decide to take their chances in the outside world with non-winged people. Oddly, there is not much explanation and surprisingly little discussion in the book about how and why these particular people grew wings and what the significance is. While a few theories are bandied about, none are really explored. The plot and characterizations are not skillfully crafted enough to allow a suspension of disbelief, and the book veers towards pomposity, seemingly raising weighty, philosophical themes, but never really taking flight. (Fiction. 10-14)

Pub Date: Oct. 1, 2000

ISBN: 0-618-07405-8

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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