by Ariana Franklin ‧ RELEASE DATE: May 2, 2006
Entertaining enough when not stating the historically obvious.
Murder mystery meets historical enigma in pre–Nazi Era Berlin.
Franklin’s historical thriller flows from the crossover point between two populations in flux: the Germans of the Weimar Republic and a surge of Russian émigrés—rich whites, poor servants, scarred Jews—fleeing the Bolsheviks. Using extensive research, she evokes the hectic, Cabaret-esque mood of 1920s Berlin and the growing appeal to the Germans of Hitler’s brand of aggressive nationalism, in the wake of the hyper-inflation and shame arising from defeat in World War I. Two questions drive the plot: Could one of the Czar’s daughters have survived the massacre of the Russian royal family at Ekaterinburg? And who is the hulking murderer slaughtering women in the German capital? Prince Nick Potrovskov, a wheeler-dealer club owner and currency speculator, rescues a frightened, identity-less woman, who might be Anastasia, Princess of all the Russias, from the Berlin insane asylum and resettles her under the name Anna Anderson in an apartment with two companions, Nicky’s world-weary Jewish secretary Esther and an ex-Romanov servant-turned-stripper, Natalya. Anna is terrified of a man she claims is stalking her, maybe a Cheka Communist operative. When Esther is attacked, then Natalya killed, Police Inspector Schmidt takes up the case, simultaneously tracing the criminal to Hitler’s Brownshirts and falling in love with Esther. The irregularly shaped and paced story wraps up a decade later as Hitler comes to power. If Anna’s past and future circumstances remain hung about with question marks, Germany’s do not. Franklin, stirring a strange pot of romance, violence, sardonic humor and self-fulfilling prophecy, is most successful with scenes between her wise-cracking lovers. Anna and Esther have an audience with Adolf but the big finale is when the real Romanov steps forward.
Entertaining enough when not stating the historically obvious.Pub Date: May 2, 2006
ISBN: 0-06-081726-7
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2006
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by Heather Chavez ‧ RELEASE DATE: Feb. 18, 2020
Chavez delivers a fraught if flawed page-turner that attempts too many twists.
A good Samaritan incurs a psychopath’s wrath in this debut thriller.
Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.
Chavez delivers a fraught if flawed page-turner that attempts too many twists.Pub Date: Feb. 18, 2020
ISBN: 978-0-06-293617-2
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Toni Morrison ‧ RELEASE DATE: May 8, 2012
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella,...
A deceptively rich and cumulatively powerful novel.
At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella, but because the setup seems generic. A black soldier returns from the Korean War, where he faces a rocky re-entry, succumbing to alcoholism and suffering from what would subsequently be termed PTSD. Yet perhaps, as someone tells him, his major problem is the culture to which he returns: “An integrated army is integrated misery. You all go fight, come back, they treat you like dogs. Change that. They treat dogs better.” Ultimately, the latest from the Nobel Prize–winning novelist has something more subtle and shattering to offer than such social polemics. As the novel progresses, it becomes less specifically about the troubled soldier and as much about the sister he left behind in Georgia, who was married and deserted young, and who has fallen into the employ of a doctor whose mysterious experiments threaten her life. And, even more crucially, it’s about the relationship between the brother and his younger sister, which changes significantly after his return home, as both of them undergo significant transformations. “She was a shadow for most of my life, a presence marking its own absence, or maybe mine,” thinks the soldier. He discovers that “while his devotion shielded her, it did not strengthen her.” As his sister is becoming a woman who can stand on her own, her brother ultimately comes to terms with dark truths and deep pain that he had attempted to numb with alcohol. Before they achieve an epiphany that is mutually redemptive, even the earlier reference to “dogs” reveals itself as more than gratuitous.Pub Date: May 8, 2012
ISBN: 978-0-307-59416-7
Page Count: 160
Publisher: Knopf
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
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by Toni Morrison edited by David Carrasco Stephanie Paulsell Mara Willard
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