by Ariel Leve ‧ RELEASE DATE: June 14, 2016
A candid rendering of pain and survival.
A daughter’s raw memoir exposes her “spiteful, vindictive, uncontrollable mother.”
Journalist Leve (It Could Be Worse, You Could Be Me, 2010, etc.), a former columnist for the London Sunday Times Magazine and contributor to other journals, grew up in a Manhattan penthouse with her mother, a poet whose narcissism, unpredictable mood swings, and physical abuse the author recounts in repetitive detail. At times “slapped, punched, kicked, pinched, and attacked,” subjected to hysterical tirades alternating with suffocating demonstrations of love, Leve felt abandoned, betrayed, and continually threatened, as if she were stranded “in the pit of a crevasse, with a rope to safety just inches away and out of reach.” Some measure of safety came during visits to her adored father, who lived in Thailand and whom Leve portrays as flawless; from her father’s former girlfriend, whose nurturing attention brought a bit of stability to Leve’s life in New York; and from a succession of caretakers, many of whom fled from her mother’s employ. One woman quit or was fired multiple times over the course of 12 years. By her mid-40s, Leve still felt indelibly wounded and oppressed by the past. “You understand these things and you’re in control of your life,” her father remarks. “Why can’t you beat those demons and destroy them?” Overcoming the demons, however, proved complicated: Leve learned that childhood stress and abuse caused "pathological changes to brain chemistry,” making her “hypervigilant” and “highly reactive to perceived threats.” Desperate for help, she decided to undergo eye movement desensitization and reprocessing therapy, designed to treat PTSD. Two years later, she was living with her Italian lover and his daughters in Bali, finally feeling central to a family. Though still beset by memories, she was also buoyed by “endorphins of hope” that she finally would be able to “outrace the past.”
A candid rendering of pain and survival.Pub Date: June 14, 2016
ISBN: 978-0-06-226945-4
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 26, 2016
Kirkus Reviews Issue: April 15, 2016
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by Doris Kearns Goodwin ‧ RELEASE DATE: Sept. 23, 1994
A superb dual portrait of the 32nd President and his First Lady, whose extraordinary partnership steered the nation through the perilous WW II years. In the period covered by this biography, 1940 through Franklin's death in 1949, FDR was elected to unprecedented third and fourth terms and nudged the country away from isolationism into war. It is by now a given that Eleanor was not only an indispensable adviser to this ebullient, masterful statesman, but a political force in her own right. More than most recent historians, however, Goodwin (The Fitzgeralds and the Kennedys, 1987) is uncommonly sensitive to their complex relationship's shifting undercurrents, which ranged from deep mutual respect to lingering alienation caused by FDR's infidelity. One element creating tension was tactical politics: FDR, seeing increased arms production as crucial to the war effort, sought to close the divide between businessmen and his administration, while Eleanor prodded him not to forget about labor, civil rights, and Jewish refugees. As grateful as he was to her for acting as his political eyes and ears, Franklin also could react testily to her unremitting lobbying at times when he desperately needed relief from the strains of running the war effort. Equally fascinating here are the often semi-permanent White House guests who filled the couple's "untended needs": their daughter and four sons; FDR alter ego Harry Hopkins, shaking off grave illness to go on critical diplomatic missions; Franklin's secretary Missy LeHand, prevented by a stroke from serving the man she loved; exiled Princess Martha of Norway, who gave Franklin the unqualified affection of which Eleanor was incapable; two of Eleanor's confidantes, future biographer Joe Lash and the lesbian ex-journalist Lorena Hickok; and Winston Churchill. A moving drama of patchwork intimacy in the White House, played out against the sweeping tableau of the nation rallying behind a great crusade.
Pub Date: Sept. 23, 1994
ISBN: 0-671-64240-5
Page Count: 864
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Doris Kearns Goodwin ; adapted by Ruby Shamir ; illustrated by Amy June Bates
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by Graham Greene ‧ RELEASE DATE: Oct. 1, 1994
Though not in a league with those of Coleridge or Joyce, Greene's dreams compose an alternate autobiography of his private self in matter-of-factly unreal vignettes. Culled from the thick journals of his dreams that Greene (The Last Word, 1991, etc.) obsessively kept in his vigorous old age, and posthumously published in accordance with his expressed wish, this slim volume catalogs his adventures and escapades in what he called "My Own World," as opposed the shared reality of "The Common World." In these dreams, his encounters with the famous — Khrushchev, Edward Heath, Queen Elizabeth — often seem dull and ordinary; his travels possess only recycled verisimilitude compared to the Haiti, Vietnam, and Cuba we see in his novels; and his literary reveries betray an innocent craving for approval from the likes of Cocteau, D.H. Lawrence, and Sartre. The most curious and intriguing dreams magnify Greene's fantastic side and combine it with an uncharacteristically carefree humor. Those in which he is a criminal or a spy (in one, assigned to assassinate Goebbels with poisoned second-hand cigarette smoke) seem to parody his own semi-parodic thrillers. Some of the more surreal literary vignettes — a trip on a South American riverboat with Henry James; a guerrilla campaign with Evelyn Waugh against W.H. Auden — are hilarious pulp belles lettres. Larger issues of religion and imagination, however, are less amplified here than in his waking corpus and are typically reduced to altercations with sloppy priests or comments about the neurotic drudgery of producing books. The few brief examples of dream-inspiration and theophany are unsatisfactorily developed and give no real clue to his creative process or religious life. A uniquely candid self-portrait, but Greene's inner world only adumbrates his real-world exploits and the world he consciously created in his fiction.
Pub Date: Oct. 1, 1994
ISBN: 0-670-85279-1
Page Count: 144
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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edited by Christopher Hawtree & by Graham Greene
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