Like its heroine, intelligent and lusty; full of real joys and sorrows.
The making of a woman scientist over four decades of change in the middle of the 20th century.
“So what do you actually do?” Dr. Lottie Kristin Hart Levinson—aka Dr. Rat Westheimer—is asked at a cocktail party in 1984. “This may sound odd to you,” she replies, “but I study rat salivary glands. They’re more important than people think.” Her subsequent explanation details the role of cunnilingus in rat sex. Neither Lottie nor her creator is squeamish in any way—not about rat sex, or rat dissection, or human sex, all described with brio in these pages. As Lottie tells her football-star high school boyfriend, who becomes her first husband, “I want to know everything about my body, about your body, I want to try everything there is in the world, I want to try it all with you.” Actually, she saves some for her intrepid second husband 30-odd years later; there hasn’t been a menstruation sex scene like this since Scott Spencer’s Endless Love. Heyman’s debut novel after a successful story collection, Scary Old Sex (2016), also brings to mind Marge Piercy’s domestic dramas of the 1980s, which told the stories of women whose consciousness and lives were changed by the feminist movement and the new options it created in American life. From Lottie’s childhood in Michigan in the early 1940s through her struggles in the Vietnam War era to her maturity as a scientist, mother, and stepmother in the mid-1980s, her curiosity and intellect drive her as strongly as her hormones. It takes decades to tunnel her way through the walls sexism builds around her potential and find her way to the career in science she was made for. Caring as much about her work as she does about domestic life is a constant issue in Lottie’s adulthood; tragic consequences threaten and are not always averted.
Like its heroine, intelligent and lusty; full of real joys and sorrows.Pub Date: July 7, 2020
ISBN: 978-1-63557-471-5
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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