by Arlie Russell Hochschild ‧ RELEASE DATE: Sept. 10, 2024
An insightful, troubling look at political resentments in the forgotten heartland.
Wounded feelings give way to nationalist, supremacist politics in Hochschild’s “what went wrong with Appalachia” autopsy.
Appalachia was once a region of union labor activism, progressive social programs, and an openness to working with people from other countries. Most of the region went for Roosevelt—and Carter, and Clinton. But then, sociologist Hochschild writes, something changed: the mines closed down, the small towns died, many of the remaining residents turned to self-medication, and suddenly Appalachia was Trump country. Hochschild traces this turn in part to what she calls the “pride paradox,” by which the satisfaction in hard work well done is replaced by existential despair over losing usefulness and meaning. “People devised various ways to respond: turn shame inward, project shame outward, or find a creative solution to the paradox,” she writes. The middle proposition turns out to have been the most widespread: people in the region, and by extension people in overlooked rural enclaves across the country, now blame others—immigrants, liberals, urban elites—for their woes. This manifests in racism and fascist displays: Hochschild’s opening set piece is a pre-Charlottesville march of white supremacist radicals in a little Kentucky town seething with resentment at being seen by the world as disposable yokels. The real perpetrators, the extractivist multinationals and big pharma moguls, go unquestioned, while Trumpism triumphs because in a psychologically wounded community such as Pikeville, Kentucky, as one counselor notes, “That guy’s selling white nationalism as a quick fix to make a guy who’s down on himself feel like he’s strong and going places.” Hochschild counsels a wide-ranging solution that could use more specific grounding, but that points to a useful direction, involving rebuilding rural America “both by revising the American Dream and by equalizing access to it.”
An insightful, troubling look at political resentments in the forgotten heartland.Pub Date: Sept. 10, 2024
ISBN: 9781620976463
Page Count: 400
Publisher: The New Press
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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edited by Barbara Ehrenreich & Arlie Russell Hochschild
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SEEN & HEARD
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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