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MORNING, NOON, AND NIGHT

GROWING UP AND GROWING OLD

From familiar works to those not so well-known, Weinstein expertly extracts their timeless lessons.

Weinstein (Comparative Literature/Brown Univ.; Northern Arts: The Breakthrough of Scandinavian Literature and Art, from Ibsen to Bergman, 2008, etc.) eloquently mines the literary canon for rites-of-passage stories.

In this beautifully, tenderly conceived work, the author employs these seminal texts from Shakespeare to J.M. Coetzee to illuminate both the experience of his young students facing the beginning of their life’s journey and also his own, as a man well into his sunset years and looking back at the journey’s end. He uses as point of departure (and title) Oedipus’s answer to the Sphinx’s riddle—“What is the creature that is on four legs in the morning, two legs at noon, three legs at night?”—to delve into these stories as excellent depictions of man at various stages of life. With marvelous clarity gained from three decades of teaching, Weinstein addresses the trajectory of growing up to growing old, moving from Oedipus’s own blindness and lack of agency in perpetrating his tragedy, to William Blake’s vision of a cruel collusion in acculturation gained in the breathtaking “Chimney Sweeper” poems, to the hard-knock lessons of the picaresque Lazarillo de Tormes and Alice Walker’s The Color Purple. The author also finds protagonists embittered by the illusory “final harvest,” forsaken and disempowered in their old age—from King Lear to Jean Racine’s Phèdre and Tennessee Williams’s A Streetcar Named Desire. Throughout this astute, elegant text, Weinstein reminds us why we read (“Art makes life visible”) and why these stories are still especially relevant—“as that special mirror that shows up both how others have come through and how we might learn from them.” Chapters treating the theme of love as a “basic motor force” prove particularly incandescent, and with certain texts in particular—e.g., Tarjei Vesaas’s The Ice Palace, Faulkner novels, King Lear—the author attains a pitch of passionate rhapsody.

From familiar works to those not so well-known, Weinstein expertly extracts their timeless lessons.

Pub Date: Feb. 15, 2011

ISBN: 978-1-4000-6586-8

Page Count: 480

Publisher: Random House

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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