by Art Gibney ‧ RELEASE DATE: Sept. 1, 2002
The quirky Nevada we’ve never really known, told convincingly.
Slim first collection that goes into unexplored territory both on the map and in the heart.
When a story opens with “Froggy had the job of chasing mushroom clouds in a Plymouth Fury,” where else could we be but Nevada? More specifically, these dozen pieces are set in or around the small town of Adaven (look closely) in a West that’s still quite wild though populated with bear hunters, Mormon bishops, ostrich farms, intrusive government forces, and a never-ending salty metal taste in the air. “The Manure Spreader” is about a father and son working a bleak farm in the shadow of a nuclear test site. A time of mysterious war is the background for the dreamy title story, about a couple trying to rough it in the mountains on a mine claim. “Wild Cow” is a near-perfect piece in which a father-son hunt for a cow gone wild comes to stand for a vanishing world of secluded ranches and cowboy morality. The ritual of eating calf-fries—cow testicles—for added fertility in “Teacher’s Pay” becomes the final rite for a son finally becoming a man. Two others set off to learn the truth of Area 51 (“A Hard Way to Make a Hundred Bucks”) just as the first baby to be born in Adaven arrives. “Mud Brick” is a brief meditation on unlikely love from a woman who followed her husband into the wilderness. Gibney’s tone is always clean and lovely, his message always clear: “Maybe it’s just progress and modern times, the dying off of an old and useless way of life. Maybe it’s something in the water that poisoned us from within, or the bone-dry end of a five-year drought that boiled out the best in all of us.”
The quirky Nevada we’ve never really known, told convincingly.Pub Date: Sept. 1, 2002
ISBN: 0-87417-513-5
Page Count: 144
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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SEEN & HEARD
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SEEN & HEARD
by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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