A mixed bag of gags and witticisms revealing the hollowness of both victory and defeat.
In this cartoon collection by the author of The Slings and Arrows of Mundane Fortune (2019), the concepts of winning and losing are unpacked, tongue firmly in cheek.
“Those who are admired—whether for their success, brilliance, beauty, talent, or charm—are winners,” writes Hartz in his introduction. He adds: “They are valued, their faults tolerated, and their kindness exaggerated.…By contrast, the nonwinners—the losers—struggle for appreciation and companionship, and their mistakes are viewed without sympathy.” So begins this collection of single-panel cartoons and aphorisms deconstructing what it means to be a winner—or the opposite—in modern American society. Businessmen, athletes, and Hollywood stars dot the pages, as do the insecure, the poor, the ostracized, and the vaguely disliked. (One caption reads, simply, “Losers know they’re losers but not why.”) Hartz focuses on the ways society motivates us to be winners or to perceive others as such. In one cartoon, two people regard a mansion and a sports car, with one saying to the other, “All my fame and fortune mean nothing unless my brother hates me for it.” In another, two statues of Michelangelo’s David stand side by side, one typically svelte and the other more realistically paunchy. The caption: “Sympathetic. Not Sympathetic.” In addition to cartoons, aphorisms appear throughout the book, some funny and some simply thoughtful. “Beauty and intelligence are considered essence, not ornament,” reads one. The cartoons—drawn by Jovic, Wolfe, and Ramos—are imbued with frolicsome energy. Appropriately, the entries aren’t all winners—some fail to elicit a laugh, and a few are just head-scratchers. The cartoons have a better success rate than the aphorisms, some of which feel bumper sticker–ready (“EQUATION: Status = achievement X marketing”) while others could have used another draft or two. There are plenty of gems here that ask the reader to consider the arbitrary or downright unjust manner in which winners and losers are chosen. The result is a sense of nihilism that is half liberating and half depressing. As one cartoon featuring a mournful picture of a teenage nerd against a black background reads: “And then they came for me, but there was no one to speak for me because why would anyone do that.”
A mixed bag of gags and witticisms revealing the hollowness of both victory and defeat.Pub Date: Feb. 22, 2019
ISBN: 978-1-79759-770-6
Page Count: 143
Publisher: Self
Review Posted Online: Feb. 2, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.
A travel writer has one last shot at reconnecting with the best friend she just might be in love with.
Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.
A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.Pub Date: May 11, 2021
ISBN: 978-1-9848-0675-8
Page Count: 384
Publisher: Berkley
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
SEEN & HEARD
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