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82 DAYS ON OKINAWA

ONE AMERICAN'S UNFORGETTABLE FIRSTHAND ACCOUNT OF THE PACIFIC WAR'S GREATEST BATTLE

A vivid re-creation of a campaign so vicious that the soldiers involved rejoiced when they heard about Hiroshima.

A memoir of World War II’s last great battle by an officer who is now 99.

Shaw was a field artillery unit commander already bloodied by the 1944 invasion of the Philippines when his unit landed on Okinawa on April 1, 1945. The immense invasion, the most expansive amphibious assault of the Pacific War (1,500 Allied ships and 1.5 million soldiers), came ashore meeting no resistance, which was the result of deceiving the Japanese, according to the author. In fact, the Japanese had given up defending beaches—as they had abandoned mass banzai charges—because it didn’t work. They had deeply fortified part of the island and prepared to fight to the death. Moving inland, the troops encountered resistance after a few days, and here the narrative records nearly three months of brutal combat that killed more than 100,000 Japanese soldiers, 10,000 Americans, and far more Okinawan civilians. Shaw often scouted ahead of his battery, observing frontline infantry in action. His purported duty was to direct artillery fire, but readers expecting to learn the experiences of a WWII forward observer will discover that this is mostly a literary device. In the text, co-written by Wise, Shaw is the omniscient observer describing the murderous battles of his division down to company and platoon level across the island. The author also offers his eyewitness account of the suicides of the defeated Japanese generals and descriptions of regular trips to the rear to record deliberations of the senior commanders and chat with his men. The result is a docudrama with invented dialogue and action that must be at least partly fictionalized because it’s unlikely Shaw could have witnessed so much, not to mention remember it.

A vivid re-creation of a campaign so vicious that the soldiers involved rejoiced when they heard about Hiroshima.

Pub Date: March 3, 2020

ISBN: 978-0-06-290744-8

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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