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1917

LENIN, WILSON, AND THE BIRTH OF THE NEW WORLD DISORDER

Mixing both real events and a few moments of speculation, a fine account of a climacteric year.

Dual biography of two men who stand in this account as avatars of worldwide change in a critical historical moment.

Woodrow Wilson and Vladimir Lenin are not, on the face, a natural pairing in the same way that the murderous dictators Hitler and Stalin are. Then again, Hudson Institute senior fellow Herman (Douglas MacArthur: American Warrior, 2016, etc.) did put Gandhi and Churchill together in a study of the decline of the British Empire, and putting Wilson and Lenin together does help to show how the foreign policy of the nascent superpowers, the United States and the Soviet Union, would have as their overarching goal not “to protect their own national interests as narrowly understood, as almost all nations understood foreign policy before 1917, but to make others see the world as they did.” For Wilson, this was a longtime insistence on a Pax Americana, formulated well before World War I, and one of the newsworthy aspects of Herman’s readable, engaging book is that Lenin once approached the U.S. with “a bizarre offer”: since, for obvious reasons, Germany could no longer be Russia’s chief industrial partner, as it had been before the war, then why not America? In exchange for help modernizing Russia, then, the U.S. would have had oil, mineral resources, and fur. “For a few tantalizing days…the world rocked on its hinges at the prospect of a future U.S.–Russian consortium dominating the postwar world,” writes Herman—but Wilson declined. Another great what-if: Germany declined the offer to stop fighting with status quo, meaning it could keep conquests and colonies in exchange for peace. In either instance, the world today would be much different from what it turned out to be, which, rather than Wilson’s much-longed-for peace, was a century of endless conflict.

Mixing both real events and a few moments of speculation, a fine account of a climacteric year.

Pub Date: Nov. 28, 2017

ISBN: 978-0-06-257088-8

Page Count: 480

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 18, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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