Heavy stuff, as the title implies, and absolutely worthwhile.
A meditation on grief, guilt, and survival; King’s most challenging work to date.
Stanzi and her friends are damaged high school seniors in Pennsylvania, struggling to forge connections with one another and the often hostile world beyond. Gustav is building an invisible helicopter in his backyard. China’s mother is “the neighborhood dominatrix.” And Lansdale is a compulsive liar. School life is grim, dominated by safety drills, standardized tests, and an erratically high volume of bomb threats. Amid the disruption, there is also a naked man living in a bush who, in a series of surreal exchanges, sets each of the teens in motion. The intricately constructed narrative is deeply disorienting, not only because the narrators are all openly unreliable, but because the events they describe occupy a gray area bounded by personality quirks, mental illness, and magical realism. Coupled with repeated references to such real-life events as the Newtown and Columbine shootings, as well as the fictional violence inflicted on the main characters, the novel is, at times, a grueling march through a gallery of traumas. But as with Please Ignore Vera Dietz (2010), King’s choices are neither gratuitous nor exploitative; when crucial details start falling into place around the halfway point, readers who hang in that far are rewarded with the self-actualization of finely wrought characters.
Heavy stuff, as the title implies, and absolutely worthwhile. (Fiction. 14 & up)Pub Date: Sept. 22, 2015
ISBN: 978-0-316-33409-9
Page Count: 336
Publisher: Little, Brown
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
A powerful story of family, belonging, and identity interlaced with thriller elements.
A wary teen wonders if she should run when people come looking for her.
Lucy Smith was raised by her white father, who said little about her mother. Following his death and her stepmother’s abandonment, Lucy entered the foster care system at 14. Her stepmother revealed that Lucy’s birth mom was Native American, but her social worker urged her to keep that quiet. Battered by her time in the foster care system, it’s no wonder that 18-year-old Lucy is cautious when she’s approached by a man who says he’s an attorney who helps Native American foster kids connect with their families and communities. He introduces her to a friend who reveals to Lucy that she knows her Ojibwe maternal relatives—but a wary Lucy refuses her offer to learn more. Someone is stalking her, after all, and the FBI is investigating the bomb that went off in the diner where she worked—an event she’s sure targeted her. This stand-alone from bestseller Boulley, who’s an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians, includes characters her fans will recognize from previous works. The action scenes are mediated by ruminations on the failings of the foster care system and strong portrayals of Lucy’s relationship with her father and her complicated identity. Ardent book lover Lucy is a sympathetic narrator whose strong sense of justice is coupled with a deep acceptance of others.
A powerful story of family, belonging, and identity interlaced with thriller elements. (content warning, author’s note) (Thriller. 14-18)Pub Date: Sept. 2, 2025
ISBN: 9781250328533
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
SEEN & HEARD
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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