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SWITCH

Timely and timeless.

Printz Award winner King returns with another surrealist masterpiece.

On June 23, 2020, the world became caught in “a fold in time and space.” For the past nine months, the United States has enacted Solution Time and been using N3WCLOCK to keep some semblance of normality. High school javelin star Truda Becker isn’t satisfied with these patched-together efforts, though, and she is determined to use psychology to find the “Real Solution.” While she puzzles over the irregularities of time and their grander meaning, Truda is also weighed down by irregularities in her home life. Her father, an immigrant from an unspecified country, spends his days obsessively building and rebuilding room-sized plywood boxes, making a disorienting warren of their family home. Her “clairvoyant” mother comes and goes, her brother is acting jumpy and suspicious, and the shadow of Truda’s abusive sister casts a pall over them all. Truda is determined: “By the end of the month, I will figure out how to make people give a shit about other people. I still have no idea how I’ll do this because I live in a house where emergencies are cubed like snack cheese and giving an actual shit has been put on hold.” Intentionally perplexing, the book carefully doles out reveals as it steadily weaves together seemingly disparate threads with precision. This otherwise stellar title unfortunately is marred by the repeated use of deaf to describe emotional evasion and dishonesty. Main characters read as White by default.

Timely and timeless. (Speculative fiction. 14-18)

Pub Date: May 11, 2021

ISBN: 978-0-525-55551-3

Page Count: 240

Publisher: Dutton

Review Posted Online: March 15, 2021

Kirkus Reviews Issue: April 1, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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