A hypnotically beautiful collection of stories by a literary master.
A collection of translated stories by Debi, one of the greatest Bengali writers of the 20th century.
Debi is virtually unknown outside of India despite her prolific and celebrated career—in fact, very little of her considerable body of work has been translated into English, an unfortunate oversight observed by Jhumpa Lahiri’s brilliant introduction to this collection. This assemblage of Debi’s short fiction, translated with great clarity and subtlety by Gupta, constitutes an important literary event. The nearly two dozen stories are exemplary of Debi’s body of work—set in her native Calcutta, they focus on the emotional trials of domestic life with a perceptive eye trained on the complex relationships between men and women, particularly husbands and wives. In the book’s titular story, “Brahma’s Weapon,” Ronobir has been out of work for 17 months, and as a result, the household has been reduced to penury. He asks his wife, Oshima, to ask Debobroto (a successful businessman), an old friend of hers, for a job—it’s a humiliating request because she hasn’t seen him in 11 years and once “there was a degree of intimacy between them.” Debi artfully probes the profound shame felt by both and the acrimony between the two it engenders, especially under the morally pulverizing weight of poverty: “Scarcity destroys character.” In the haunting tale “Entering the Underworld,” 16-year-old Aroti is forced to beg on behalf of her shameless mother and greedy father, both of whom are unemployed. She despises her parents for compromising her respectability but learns, through the experience of hunger, the tenuousness of one’s dignity. Debi seamlessly combines a sociological precision with a lighthearted touch. For those new to Debi’s work, this is a remarkable introduction, one that showcases her deep reserves of literary radiance.
A hypnotically beautiful collection of stories by a literary master.Pub Date: Oct. 1, 2013
ISBN: 9781492162216
Page Count: 296
Publisher: CreateSpace Independent Publishing Platform
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Jan. 15, 2023
Review Program: Kirkus Indie
PERSPECTIVES
PERSPECTIVES
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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