Though a bit oversimplified at times, the story will open a portal to families with injured soldiers and propel...
After her older brother, Lucas, is wounded in action and rendered comatose, 17-year-old Gabriela Santiago decides to honor a promise to her brother by walking the Camino de Santiago alongside Seth Russo, the unlikeliest of companions.
Gabi, a half-white and half-Mexican Army brat, hates many things about life in the military and is eager to leave Germany to start college at the University of Texas, where she is to return to a civilian life and reunite with her high school friends and boyfriend. However, once Gabi learns of her brother’s critical condition and his request that she walk the pilgrimage, her plans get derailed, With only weeks till she graduates, she and Seth—Lucas’ best friend and fellow soldier, a young white man—hike an abbreviated three-week journey. Along the way, their mutual love for Lucas unites them even as their temperaments separate them. While Gabi walks with her brother in mind, she also hopes to repair her fractured relationship with her father. Seth also has his demons and is wrestling to right his wrongs—and his daily drinking serves as a Band-Aid from the horror he witnessed and experienced in Afghanistan. Gabi’s convincing teen voice guides readers through the complexity of emotions and inner struggle. Despite pacing issues and an unfortunate typo in one of the book's few snatches of Spanish (“Buenas dias” will induce winces), debut novelist Cowles uses the pilgrimage to spark moments of philosophic and theological reflection.
Though a bit oversimplified at times, the story will open a portal to families with injured soldiers and propel conversations about war, identity, philosophy, and hardship. (Fiction. 14-18)Pub Date: Aug. 1, 2016
ISBN: 978-1-4405-9582-0
Page Count: 272
Publisher: Merit Press
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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