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HOME DAIRY WITH ASHLEY ENGLISH

ALL YOU NEED TO KNOW TO MAKE CHEESE, YOGURT, BUTTER & MORE

Somewhat dry but easy-to-follow guide to the mysterious world of homemade dairy products.

The latest addition to English’s Homemade Living series (Keeping Bees with Ashley English, 2011, etc.) joins the ranks of countless new titles that invite readers to forego the suburban supermarkets for their kitchens instead. After a brief overview of the deliciously active role of dairy throughout human history, the author jumps right in to the tools of the trade. Readers unfamiliar with mesophilic cultures and curd knives need not fear; the English’s spirited, encouraging tone will soon have readers believing that they, too, can produce the cheddar they so eagerly reach for in the refrigerated aisle. “I love the self sufficiency and empowerment I feel when I take a humble gallon of milk and create something entirely different. It’s...part science, and part magic,” home cheesemaker Claudia tells the author in one of the many sidebars that appear in the manual. These inserts, often biographies of other members of the DIY dairy revolution, could have upped the entertainment value of the book had they been peppered with clever anecdotes and quips on the challenges of making your own cheese. But English is no slouch at demystifying the intricacies of home dairy; from the simplicities of churning out your own delectable butter to pressing your very first gouda, the author covers it all in clean, unpretentious, step-by-step instruction. Excellent for those looking to take a slight step off the grid.

 

Pub Date: April 1, 2011

ISBN: 978-1-60059-627-8

Page Count: 136

Publisher: Lark/Sterling

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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