More angst-y and informative than the romp it first appears to be.
How do you become a songwriting star in an industry riddled with potential pitfalls?
Carlisa “Carli” Henton has a high-pressure job at a media agency representing musicians; she’s the owner’s right-hand woman. But her excellence at work and the time she spends on it is at odds with her real aspiration—to write music for major artists and labels. Diligence and talent have led her to the cusp of success there as well, but in the music industry, personal relationships can cause huge complications. Three years ago, she rejected a producer’s advances, and, in retaliation, he cut her out of working on an album that could have made her career. In her present and possible future is R&B star Tau Anderson, one of her agency's clients, coming on strong with the romance, the connections, and a reputation for trouble. Carli is deeply ambivalent about the best way forward. Strangely, her ambivalence never comes to a clear emotional resolution. A lot of recognizable tropes get teased—nice guy vs. playboy; demanding job vs. artistic ambitions—but these don’t quite play out in satisfying ways. What Coleman delivers instead is a great look inside the music industry, especially the creative aspect. Many industry-immersive novels are high gloss but low depth. This one gives as much rich, loving detail to its nonfamous characters as it does to the flashier ones. Everyone here has complications, and they have great conversations with each other, which may just be enough for some readers.
More angst-y and informative than the romp it first appears to be.Pub Date: June 21, 2022
ISBN: 978-1-982168-62-9
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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