Not a first choice.
Pipes get clogged and readers must help.
A steampunk-lite factory with curving, outdoor chutes and tubes—the whole thing possibly floating in the sky as its own planet—shoots colors into the air. The scene is brightly colored. On the second spread, the factory morphs into a black-line drawing of itself, not a single bit colored in; no color sprays out. “Uh-oh”—the color is “blocked,” and while some readers may wonder how a blockage of new liquid has rendered the whole factory suddenly black-and-white, others will dig into the instructions on helping. Shaking the book unclogs pipes; turning the book all the way around inexplicably straightens out twisted pipes; turning it sideways dumps out excess color. As primaries flow, they become secondaries; paint-y chaos builds until the bespectacled host turtle, overwhelmed, pleads, “Shut the boooooooooooook!” The color-mixing, paint textures, and splatters are visually fascinating, and the complex pipes are cool, but the paint flow and instructions seem arbitrary, and the illustrations are disjointed. Miles’ mixed media on board includes some stock images, and while it’s unclear which ones, that’s hardly a recommendation. Hervé Tullet’s Mix It Up (2014) is far more luscious, and Eric Telchin and Diego Funck’s Black and White Factory (2016) covers very similar ground, down to animal hosts wearing glasses; both feature reader participation.
Not a first choice. (Picture book. 3-6)Pub Date: April 4, 2017
ISBN: 978-1-944822-82-8
Page Count: 40
Publisher: Familius
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
A sweet and subtle book on sharing.
Rudy’s pink sweater is missing. Readers are invited to follow him as he searches for the sweater.
Rudy is a blue creature with a piggy snout, bunny ears, a thin, tufted tail, and a distraught look on his face. His beloved pink sweater is gone. “It was a bit too small and showed his belly button. But it was his favorite.” Where could it be? In a search that doubles as a countdown from 10 to one, Rudy makes his way through the different rooms of the house—top to bottom, inside and outside. As readers open the wardrobe door, “TEN tumbling cats” provide the first hint as to the sweater’s whereabouts. Following the pink yarn that runs across the pages, readers encounter some surprising creatures in each location—including a crocodile sitting in an outhouse busily knitting—as well as flaps to open and die cuts to peek through. Just as he’s about to give up hope—someone must’ve taken it, but “who would love wearing it as much as he did?”—the answer is revealed: “Trudy! His number ONE sister. The sweater fit her perfectly.” And, as is the nature of stories with a happy ending, Rudy gets a new sweater that fits him, from the knitting crocodile, of course. Plot, interactivity, vocabulary, and counting all contribute in making this an engaging book for the upper edge of the board-book range.
A sweet and subtle book on sharing. (Board book. 3-5)Pub Date: Oct. 8, 2019
ISBN: 978-1-4197-3679-7
Page Count: 24
Publisher: Abrams Appleseed
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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