Competing romances, slippery spies, and the horrors of the Blitz combine in an exciting mystery/adventure.
It's 1940 in London, and a family of locksmiths with a sideline in theft pulls off another job for the Crown.
When Electra McDonnell and her family got caught trying to steal jewels, their choice was prison or working for the handsome, enigmatic Major Ramsey. Ellie’s attracted to the dashing aristocrat, but so far their relationship has remained professional and sometimes antagonistic. Ramsey wants Ellie’s Uncle Mick but has to settle for Ellie when he needs to remove a locked bracelet from the arm of a woman found dead in the Thames. Unlocking the bracelet is easy, and Ellie’s able to provide some insight into Myra Fields’ station in life from her clothing. A search reveals a camera in the bracelet, a clock key, and a bag of jewels hidden in the lining of a sable coat. Ellie’s first job with Ramsey—in A Peculiar Combination (2021)—gave her a taste for danger, and she’s more than willing to help uncover an espionage ring that’s taking photos of juicy targets for the Germans. To Ramsey’s dismay, Ellie calls on family friend and romantic interest Felix Lacey for help with a crooked pawnshop owner. Family contacts help track down the source of the jewels and lead to a boardinghouse where Myra lived. Ellie, with Ramsey masquerading as her husband, pretends to be Myra’s cousin in order to look for clues. Once the German bombing commences, they push even harder to roll up the dangerous spy ring even as Ellie continues to look into her mother’s conviction for murdering her father, a crime she denied to the day she died.
Competing romances, slippery spies, and the horrors of the Blitz combine in an exciting mystery/adventure.Pub Date: May 10, 2022
ISBN: 978-1-2507-8050-8
Page Count: 288
Publisher: Minotaur
Review Posted Online: Feb. 4, 2022
Kirkus Reviews Issue: Feb. 15, 2022
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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