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BABY GOES TO MARKET

Indeed, no one will be able to resist this baby.

Baby is so charming that various vendors in this West African market gift him all sorts of yummies.

Baby rides on Mama’s back, held snug by a bright cloth wrap. Mama navigates the busy, colorful outdoor market, her woven basket balanced on her head. The text unrolls rhythmically in Atinuke’s storyteller’s voice: “Market is very crowded. Baby is very curious. Baby is so curious that Mrs. Ade, the banana seller, gives Baby six bananas.” Baby eats one and puts the remaining bananas in Mama’s basket. All the while Mama shops, unbeknownst to her, vendors continue to respond to Baby’s transparent delight with five oranges, four “sugary chin-chin biscuits,” three “roasted sweet corn,” and two pieces of coconut. With each delicacy given, Baby eats one and puts the rest in the basket. When Mama sees all the extra foodstuffs she didn’t buy, she’s concerned, until the vendors reassure her: “We gave those things to Baby!” In her debut picture book, Brooksbank offers bright, bustling tableaux of shoppers, vendors, and goods. The smiling, all-black cast sort through myriad wares, while the text keeps up its rhythm, introducing both typical items bought in a West African market and a gentle lesson in arithmetic as Baby alternately snacks on and stashes his gifts.

Indeed, no one will be able to resist this baby. (Picture book. 3-6)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7636-9570-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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