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RIVER EAST, RIVER WEST

An ambitious, innovative take on both the immigrant and coming-of-age novel.

In this debut novel set in China, two generations struggle with the consequences of ambition and the difficult search for belonging.

In 2007, Alva is 14 and living in Shanghai, the daughter of a white American mother and a Chinese father she never knew. In 1985, Lu Fang is a young adult in the port city of Qingdao. Weaving between the perspectives of these two characters, the novel is a complex and moving exploration of race, class, gender, and family. Alva struggles to find her way in the world after her mother marries Lu Fang, now their rich landlord. She occupies herself with “wimpy mutinies” both at home and at school while scheming to enter the Shanghai American School, whose glossy advertisements are filled with smiling multiracial children and tidy grounds. When she meets Zoey, a “proper American teenager,” she feels irresistibly drawn to her new friend's family, with their live-in maid and summers in the Hamptons. They seem like the family she’s always wanted, but her relationship with them risks exposing the shadows of their life—and perhaps of the American Dream itself. Back in the '80s, Lu Fang is struggling to make sense of his own life as a shipyard clerk with a pregnant wife, having suffered the loss of his boyhood dream of becoming an international businessman. One day while swimming, he meets a golden-haired American woman who inspires him to reevaluate his life—the consequences of which will reverberate for years to come. Following the economic and cultural undulations of 1980s China and the precursors of what will eventually become the Great Recession, this novel examines the price people must pay when financial—and personal—debts come due.

An ambitious, innovative take on both the immigrant and coming-of-age novel.

Pub Date: Jan. 9, 2024

ISBN: 9780063257856

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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