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SWING

A friendship-focused coming-of-age story that successfully challenges gender stereotypes.

A contemporary graphic novel about swing dancing, cyberbullying, and stepping into one’s own.

Eighth grade has just started, and Marcus McCalister is poised to be a star on his school soccer team, but his heart isn’t in it. He distances himself from the team, and tension builds. Meanwhile, Marcus is paired for swing dancing in gym class with Izzy Briggs, whom his classmates perceive as a fashion- and theater-obsessed, purple-haired “weirdo,” leaving him worried about how others will see him. The two don’t cooperate or listen to each other, so their teacher offers them a deal: If they perform at the school talent show, he’ll change their failing grade, and they won’t have to repeat gym. Izzy agrees—as long as Marcus lets her lead—and as the two work together, a friendship blossoms. Marcus grows more self-assured and comes to better understand Izzy, who’s enduring bullying at school and an overbearing, academics-obsessed mother at home. When the bully discovers what they’re up to, he sets his sights on them both. Marcus struggles with being targeted, but ultimately learns to be a confident and supportive friend. Though the bullying could have been portrayed with more nuance and the toxicity interrogated more deeply, the quickly moving plot feels fresh. Straightforward cartooning, with bold black outlines and solid-colored backgrounds, keeps the focus on the plucky protagonists and their dramatic interactions. Both Marcus and Izzy present white.

A friendship-focused coming-of-age story that successfully challenges gender stereotypes. (Graphic fiction. 8-13)

Pub Date: Oct. 22, 2024

ISBN: 9781250864031

Page Count: 256

Publisher: Feiwel & Friends

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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