A convincing portrayal of the hothouse collegiate environment in the sciences by an author with exciting potential.
Two Harvard sophomores rise to dizzying heights when they develop an antiaging drug.
The brainy daughter of an MIT professor, Zoe gets distracted in her organic chemistry class by a very smart, unruly-looking boy named Jack. “Zoe found herself preparing the most esoteric theoretical questions to ask during lecture and familiarizing herself with the most esoteric experimental applications that she knew Jack would ask about so she could ask a follow-up question as though his initial questions had been common knowledge.” There’s a great deal of science talk in Taylor’s debut; an afterword documents how far the author has gone to create a fascinating concept that is as close to real as possible. (Another reality-adjacent aspect is the seeming parallel to the story of biotechnology entrepreneur Elizabeth Holmes and her company Theranos.) Jack helps Zoe get a spot in the lab of an eminent professor who’s working on an antiaging drug, but when she has an insight that could revolutionize the whole process, the two split off and begin working on their own, eventually dropping out of Harvard and getting venture capital funding to develop a drug called Manna. A TED talk, a Vogue feature, a Porsche, and other markers of contemporary fame and fortune follow. Along the way, one of Jack’s roommates, a computer science major named Carter, joins the team, and though it’s clear that Jack and Zoe are meant to be together, Zoe moves in with Carter. The “young geniuses with a love triangle and a startup” aspect gives the narrative Tomorrow, and Tomorrow, and Tomorrow vibes, but the novel suffers from problems with pacing that undercut its emotional impact. The first half proceeds at a languorous rate, building the story from Zoe’s perspective, then hits an inflection point and retells the whole thing from Jack’s point of view, filling in his missing backstory. After returning to the climax, it races through a hasty endgame that is not as moving as it should be, and references to the Epic of Gilgamesh don’t help.
A convincing portrayal of the hothouse collegiate environment in the sciences by an author with exciting potential.Pub Date: June 3, 2025
ISBN: 9781250376107
Page Count: 400
Publisher: Celadon Books
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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