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THE WITCH OF THE TUILERIES

From the Apolline & Leon series

Too brief to stir more than momentary attention from young readers, but well stacked with touch-activated sounds and...

Two young snoops spy on an old lady they (wrongly) suspect of being a witch in this short, mildly sweet import.

In just 12 cartoon-style scenes, the tale takes sibs Apolline and Léon from a park bench on which a fierce-looking babushka leaves a tantalizing trunk. They open it and find, to their surprise, not toads and spiders but a book with musical notations. They follow her to her nearby apartment, where they discover that she's really a music teacher friendly enough to invite them in and set them to dancing with a merry tune on her violin. Page transitions and the small, scattered animations are stiff, but the teacher owns several musical instruments that can actually be played in a rudimentary way. The varied assortment of other touch- or tilt-activated effects elsewhere is highlighted by that trunk—from which hordes of imaginary spiders and "toads" (actually frogs), which the two children fear are inside, spring out as quickly as little fingertips can tap. The drop-down text and (optional) audio narration are available in no fewer than nine languages.

Too brief to stir more than momentary attention from young readers, but well stacked with touch-activated sounds and features. (iPad storybook app. 6-8)

Pub Date: June 11, 2011

ISBN: N/A

Page Count: -

Publisher: Avant-Gout Studios

Review Posted Online: July 18, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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TINY LITTLE ROCKET

A fair choice, but it may need some support to really blast off.

This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.

Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.

A fair choice, but it may need some support to really blast off. (Picture book. 6-8)

Pub Date: July 31, 2018

ISBN: 978-1-338-18949-0

Page Count: 32

Publisher: David Fickling/Phoenix/Scholastic

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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