A remarkable story that blends urban reality and Caribbean-infused magical realism.
A gravedigger and a mysterious, powerful young woman are drawn together when the worlds of the dead and the living collide in Trinidad.
This wonderfully original debut novel unspools at the stormy crossroads that separates the living and the dead. Blending sobering urban realities with a Caribbean-infused magical realism, Banwo has created a unique world expansive enough to contain a ghost story, a love story, a mysterious mythology, and a thoughtful examination of how family bonds keep us firmly rooted to our pasts. Set in Trinidad, the novel follows the fortunes of Darwin and Yejide, both of whom are struggling through great emotional upheavals. Darwin has left his country home to find work in the city, but the only job he can get is hard labor in a giant cemetery. He’s not afraid of the work, but such a job requires him to abandon his Rastafarian upbringing and its edict about staying away from the dead—and it means betraying his devout mother. Meanwhile, Yejide has always existed close to death, growing up in time to its rhythms and rules. One woman in each generation of her family is called to escort souls to the afterlife, but now that her dying mother is passing on this legacy to her, its traditions and responsibilities weigh heavily. As Darwin begins to suspect that his co-workers at the cemetery are involved in heinous crimes and Yejide senses the dead are uneasy instead of at rest, their paths collide during a raging storm. Their attraction is immediate and undeniable, but can two such disparate destinies be entwined? Banwo makes you care deeply about the outcome and deftly weaves the realistic and the fantastic into a strange and compelling tapestry. With skill and heart, she has created a world readers will happily return to, even if they don’t usually gravitate toward fantasy.
A remarkable story that blends urban reality and Caribbean-infused magical realism.Pub Date: March 1, 2022
ISBN: 978-0-385-54726-0
Page Count: 304
Publisher: Doubleday
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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