Paranoid and claustrophobic but tries too many tricks for its own good.
A murder committed on a rainy night on a spooky backwoods road opens Paris' (Behind Closed Doors, 2016) second thriller.
Cass Anderson is only a year into her marriage to Matthew, and she couldn’t be happier. After all, the two share a lovely cottage in Nook’s Corner, even if it is a bit secluded, beyond a dark road that leads through the woods, the same woods that Matthew pointedly warns her not to take a shortcut through on a rainy night after a party. She does, of course, and sees a woman sitting in her car in the lay-by lane. To help or not to help? Cass pulls up and stops for a bit, but the woman doesn't signal for help and Cass eventually moves on, learning the next day that the woman was brutally murdered. When Cass realizes she knows the victim, Jane Walters, in passing, she’s even more shocked, but her paranoia and fear of nearly every small event seem to hit her all at once, with not much burn time, morphing schoolteacher Cass into the stereotypical “hysterical” woman. It doesn’t help that Cass’ mother was diagnosed with early onset dementia, making her profound lapses of memory even more alarming. Then the daily phone calls come, with no one on the line….Is Cass the target of a killer or the victim of her own failing memory? After a flurry of events where poor Cass is repeatedly told that her memory is not up to snuff and babied by her slightly smarmy husband, Paris throws all the answers at readers in the last 50 pages, and for someone who’s been through quite a lot, Cass is surprisingly laissez faire about the truth once it comes out. The childish antics of a couple of bumbling, utterly cold villains are more exasperating than compelling.
Paranoid and claustrophobic but tries too many tricks for its own good.Pub Date: June 20, 2017
ISBN: 978-1-250-12246-9
Page Count: 336
Publisher: St. Martin's
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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