The band has overcome a lot of challenges over the years, and this sufficient narrative documents every one of them.
An authorized band biography that attempts to provide long-overdue credit.
After persevering through four decades, an eternity by punk-rock standards, Bad Religion has “never been more popular than they are right now.” Devoted fans of the internationally popular band will embrace the narrative, which offers plenty of backstory on the splits and reunions of the two principal songwriters, Greg Graffin and Brett Gurewitz. It’s both a chronicle and critical guide to each of the band’s many albums and tours (nonfans will be overwhelmed by some of the detail). The biography—written with the assistance of Ruland, who co-authored the memoir of Black Flag and Circle Jerks founding member Keith Morris—also suggests why Bad Religion never achieved the sales levels or popularity of Nirvana or Green Day, whose influence on musical culture Graffin and company feel has been overstated, at least in comparison to their own. “ ‘People are finally filling in the chapter between 1983 and 1991,’ Greg said. ‘What happened? Two words: Bad Religion.’ ” From the beginning, the band has felt slighted, starting young as suburban teenagers from the San Fernando Valley, rising with the spread of punk culture, and then getting overshadowed by bands who sold more but perhaps didn’t have Bad Religion’s European reach or die-hard following. It’s an often fascinating story, especially regarding Graffin’s pursuit of his doctorate in evolutionary biology and Gurewitz’s progression to record mogul through his founding of Epitaph Records. There are also the expected stories of excess and addition, and the claim that “Greg and Brett were establishing themselves as the Beatles of punk rock” would be more credible if it didn’t come from the band itself. The text generally refers to the characters by first name only, an insider’s perspective that prevents much critical distancing.
The band has overcome a lot of challenges over the years, and this sufficient narrative documents every one of them.Pub Date: Aug. 18, 2020
ISBN: 978-0-306-92222-0
Page Count: 336
Publisher: Hachette
Review Posted Online: May 13, 2020
Kirkus Reviews Issue: June 1, 2020
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
