Altogether extraordinary: a masterwork of modern Middle Eastern literature deserving the widest possible audience.
Superbly realized novel of life, death, and what lies between.
Muzafar-i Subhdam has had a rough time of it in Saddam Hussein’s Iraq, imprisoned for 21 years. Now he is free—but not really, since his friend and fellow Kurdish soldier Yaqub-i Snawbar is keeping him captive “inside a large mansion, within a sequestered forest” while a plague rages outside. (Ali’s novel was first published in 2002, so it’s not the plague we know.) Besides, Yaqub adds ominously, “You’re dead....You don’t exist.” Muzafar has forgotten everything about the world except his son, Saryas-i Subhdam, whose life is a series of encounters with danger. Blending magical realism with dark fables worthy of Kafka, Kurdish novelist Ali spins episodes that require the willing suspension of disbelief while richly rewarding that surrender. One narrative strand concerns young Muhammad the Glass-Hearted, a friend of Saryas', who falls in love with a woman who might well be a djinn or ghost: Muhammad dies, brokenhearted, and she visits his grave, there to find that Muhammad is surrounded by many friends killed during clashes with Saddam’s forces. At least Muhammad lived long enough to see, with Saryas, a mysterious place where a head decapitated by Saddam’s security agents reunites with its body and nourishes the pomegranate tree of the title. Muhammad may be too sensitive for his own good, but he knows the meaning of that tree, proclaiming that it belongs to everyone: “A real father plants for all the children in the world, for all those who come after him.” Alas, so many of those children are doomed: One horrific moment comes in a boys home full of victims of bombings and land mines, armless and legless, “strange beings you wouldn’t see anywhere else,” deathly silent. Muzafar’s search for his son never ends; nor, Ali writes in magnificent summation, does his haunting story, “this tale of glass boys living in a glass time in a glass country.”
Altogether extraordinary: a masterwork of modern Middle Eastern literature deserving the widest possible audience.Pub Date: Jan. 24, 2023
ISBN: 978-1953861-40-5
Page Count: 321
Publisher: Archipelago
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”
A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.
Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”Pub Date: June 11, 2024
ISBN: 9780316258876
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
PERSPECTIVES
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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