Welcoming guests and even strangers to the dinner table is part of the Shabbat ritual, and it’s celebrated nicely here.
After moving to a town in the Old West, a young, white Jewish boy and his parents find celebrating Shabbat to be a lonely tradition.
On the western frontier, Papa spends the week with his boy making his homestead ready for planting while Mama takes care of their adobe house. But on Friday, regular work is suspended to make ready for Shabbat. After lighting candles and blessing wine and challah, the family feels unsettled. “Too much soup,” says Mama. “Not enough family.” In the city back East there were always aunts, uncles, and cousins with whom to share a Shabbat meal. Reminiscing about the large, weekly family gatherings gives the boy the idea to invite their new friends and neighbors for some good old-fashioned chicken soup, thus making the next Shabbat a more joyous, communal affair. Bietz uses an oral storytelling style with repetitive phrasing to introduce the arrival of Shabbat, enfolding both details of the hardworking lives of homesteaders with Jewish cultural details. Clean lines and muted colors on a textured background illustrate a late-19th-century Western landscape and its mostly white residents (blacksmith Ricardo and his nephew, both Latino, are notable exceptions). Framed portrait drawings in gray tones portray flashbacks of the family’s much-missed relatives and are superimposed collage-style on several scenes.
Welcoming guests and even strangers to the dinner table is part of the Shabbat ritual, and it’s celebrated nicely here. (author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2017
ISBN: 978-1-939160-94-2
Page Count: 32
Publisher: August House
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
Both a meaningful effort toward inclusion and a solid conversation starter about bullying
Thuy wants to overcome the bullies that taunt her.
Graphite-and–digital color illustrations show Thuy sadly walking home from menacing bullies at school. Thuy is Asian and wears an adorable cat hat over her straight, shoulder-length black hair. Tran’s bubbly cartoon style excels at Thuy’s many facial expressions. In “the crisp, white blanket of new snow,” Thuy’s footprints begin to embody animals that she admires: “V” shapes for a cardinal that can fly from danger, deep stomps for a towering grizzly bear, and others. When her two loving parents, Momma Ngoc and Momma Arti (the former likely Vietnamese, like Thuy, and the latter South Asian), join her in this therapeutic imaginary play, together all three become a phoenix, then the Hindu Sarabha, and then a whole new creature—complete with heart-shaped footprints. By including colorful double-page spreads of the phoenix and Sarabha and further information about these ancient creatures in the backmatter, the book sends a powerful message about the strength children can draw from their own cultural heritage. With this story about two moms joining their daughter through child-centered play to face adversity as one, Phi explains in his author’s note, he hopes to nurture the marginalized and challenge “systems of harm.” Even though Thuy’s repetition of the titular phrase stilts the story’s rhythm at times, this doesn’t overshadow the underlying message: It’s good to open up to the people who love you.
Both a meaningful effort toward inclusion and a solid conversation starter about bullying . (Picture book. 5-9)Pub Date: Sept. 1, 2019
ISBN: 978-1-68446-000-7
Page Count: 32
Publisher: Capstone Editions
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
A cozy read to share, especially with beloved older relatives.
A mutual love of pie seals an affectionate relationship.
Noor and Granddad are separated by an ocean (though their locations are unspecified). Still, they share a common passion—pie—which they eat together every summer, when Noor and Mom travel by plane to visit Granddad and Nana. Then Noor and her grandfather bake up a storm. The most special—albeit bittersweet—one is the “time-to-say-goodbye pie,” the signal that it’s time for Noor and Mom to leave. But Noor and Granddad still meet virtually for their Friday “pie reports,” where they discuss what’s going on in their lives. Just before Noor leaves this summer, she learns that Granddad’s health is declining; his “arm [has] been shaking more than usual.” Granddad calls these incidents “blue days.” As Granddad’s symptoms increase, he skips their pie reports, so Noor writes her reports and reads them aloud at their next visit. When necessary, Granddad rests; sometimes, he’s better. At story’s end, Noor gives Granddad a hopeful card that reads “For when you need to find your way out of the blue” and tells him he’s stronger than he knows. This upbeat, warmhearted tale bubbles with sweetness; children will appreciate the protagonists’ intergenerational bond as well as the food theme. The delightful illustrations were created with pencil and graphite sticks on paper, then digitally colored; kids will savor those pastries. Noor and Mom have light-brown skin. Granddad is lighter-skinned, and Nana is brown-skinned.
A cozy read to share, especially with beloved older relatives. (Picture book. 5-8)Pub Date: May 14, 2024
ISBN: 9781459838079
Page Count: 32
Publisher: Orca
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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